Let's Active's 'Grey Scale' had a release date set for January 1, 1984. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The song is number 13 out of 13 in Cypress by Let's Active. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Grey Scale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Grey Scale by Let's Active is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Buy Me A Million Dollars | Love Tractor | F Major | 9 | 7B | 143 BPM | ||
| Proud to Fall | Ian McCulloch | C Major | 7 | 8B | 131 BPM | ||
| Sulphur - 2018 Remaster | The House of Love | A Minor | 6 | 8A | 124 BPM | ||
| Bikini Red | The Screaming Blue Messiahs | D Major | 9 | 10B | 130 BPM | ||
| Too Late | Shoes | E Major | 8 | 12B | 146 BPM | ||
| The Finest Drops | Wire | B Minor | 7 | 10A | 132 BPM | ||
| Last Cigarette | Dramarama | C Major | 8 | 8B | 140 BPM | ||
| Flags For Everything | Let's Active | G Major | 7 | 9B | 97 BPM | ||
| Black and White - 2024 Remaster | The dB's | D♭ Minor | 10 | 12A | 174 BPM | ||
| Tonight | The Soft Boys | C Major | 7 | 8B | 129 BPM | ||
| He's Frank (Slight Return) | The Monochrome Set | G Major | 9 | 9B | 158 BPM | ||
| Meet Me on Tuesdays | The Brilliant Corners | D Major | 9 | 10B | 150 BPM | ||
| Crystal Clear | The Darling Buds | E Major | 9 | 12B | 121 BPM | ||
| Lights Are Changing | The Bevis Frond | F Major | 7 | 7B | 119 BPM | ||
| Never Seen Before | Close Lobsters | B Major | 7 | 1B | 139 BPM | ||
| Neverland | The dB's | A Major | 9 | 11B | 179 BPM | ||
| Whenever You're on My Mind | Marshall Crenshaw | D Major | 8 | 10B | 115 BPM | ||
| Twenty-Five Forty-One | Grant Hart | G Major | 8 | 9B | 126 BPM | ||
| Respectable Street - 2001 Remaster | XTC | B Minor | 8 | 10A | 126 BPM | ||
| Talking To Myself | Let's Active | G Major | 9 | 9B | 136 BPM | ||
| Constant In Opal - 2001 Digital Remaster | The Church | E Minor | 9 | 9A | 153 BPM | ||
| Kingdom Come | Tom Verlaine | B Major | 7 | 1B | 117 BPM | ||
| Beauty and Sadness | The Smithereens | D♭ Major | 8 | 3B | 127 BPM | ||
| Hollow Inside | The Mighty Lemon Drops | B Major | 8 | 1B | 132 BPM | ||
| You Don't Understand | The House of Love | D Major | 9 | 10B | 126 BPM |