Hubert Parry, Philharmonia Orchestra, Patrick Hawes's 'Lady Radnor Suite: Allemande' had a release date set for January 1, 2010. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Lady Radnor Suite: Allemande's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Highgrove Suite". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Lady Radnor Suite: Allemande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lady Radnor Suite: Allemande by Hubert Parry, Philharmonia Orchestra, Patrick Hawes having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Softly As I Leave You | Rhos Male Voice Choir | E Major | 1 | 12B | 65 BPM | ||
| Fantasia on British Sea Songs (excerpts): VI. See the Conquering Hero | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 0 | 11B | 72 BPM | ||
| Coronation Ode, Op. 44: VI. Finale "Land of Hope and Glory" | Edward Elgar, Royal Choral Society, Andrew Davis, London Philharmonic Orchestra | G Major | 0 | 9B | 121 BPM | ||
| Benedictus | Karl Jenkins, Voces8, Christian Forshaw | D Major | 0 | 10B | 72 BPM | ||
| O RIADA: Mise Éire (Orchestral Suite), Luan Cásca 1816 (Roisín Dubh) | Seán Ó Riada, RTE Concert Orchestra, Robert Houlihan | G Major | 1 | 9B | 80 BPM | ||
| Jerusalem | Hubert Parry, William Blake, Dinnington Colliery Band, Jonathan Beatty | D♭ Major | 3 | 3B | 65 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Philharmonic Orchestra, Vernon Handley, David Bell, Peter Manning | E♭ Major | 0 | 5B | 77 BPM | ||
| Chanson de matin | Edward Elgar, Britten Sinfonia, Nicholas Cleobury | G Major | 2 | 9B | 171 BPM | ||
| Hallelujah Chorus from Handel's Messiah | The Black Dyke Mills Band | D♭ Major | 4 | 3B | 101 BPM | ||
| Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | E♭ Major | 0 | 5B | 77 BPM | ||
| Love Divine, All Loves Excelling (Blaenwern) | William P. Rowlands, Choir of King's College, Cambridge, Stephen Cleobury | G Major | 2 | 9B | 81 BPM | ||
| Parry: Dear Lord and Father of Mankind | Choir of King's College, Cambridge, Thomas Bullard, Tom Williamson, Stephen Cleobury | E♭ Major | 1 | 5B | 120 BPM | ||
| The Procession Of The Queen - March from The Birds | Hubert Parry, London Chamber Orchestra, Christopher Warren-Green | C Major | 1 | 8B | 97 BPM | ||
| Fauré: Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra | G Major | 3 | 9B | 100 BPM | ||
| Little Serenade | Ernest Tomlinson, Slovak Radio Symphony Orchestra | A Major | 0 | 11B | 143 BPM | ||
| Psalm 23, "The Lord is my Shepherd": Psalm XXIII | Charles Hylton Stewart, Michael Bloss, Choir of St John's, Elora, Noel Edison | E Major | 0 | 12B | 100 BPM | ||
| Deus Salutis (Llef) | London Welsh Male Voice Choir, Edward-Rhys Harry, Annabel Thwaite | G Minor | 4 | 6A | 98 BPM | ||
| Hymn - Love Divine (Blaenwern) | Charles Wesley, William Penfrow Rowlands, The Choir Of Westminster Abbey, James O'Donnell, The Choir of Her Majesty's Chapel Royal, St James's Palace, Doctor Andrew Grant, Robert Quinney | F Major | 2 | 7B | 171 BPM | ||
| O God, Our Help in Ages Past | Cantillation, David Drury, David Russell | C Major | 1 | 8B | 109 BPM | ||
| Jerusalem | Hubert Parry, Libera, Fiona Pears, The City of Prague Philharmonic Orchestra, Robert Prizeman | E♭ Major | 3 | 5B | 80 BPM | ||
| Tell My Father (Live) | London Welsh Male Voice Choir, Edward-Rhys Harry, Annabel Thwaite, Gerard Brooks | F Major | 3 | 7B | 76 BPM | ||
| Never weather-beaten sail | Thomas Campion, Stile Antico | G Major | 1 | 9B | 80 BPM | ||
| Song for Athene | John Tavener, Tenebrae | B♭ Major | 0 | 6B | 140 BPM |