On July 11, 2019, the song "Smash Rash" was released by ダニエル・ルブラン. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 27 in the song's album "Score Music Library From Daniel LeBlanc (Vol.12 Rock-Light)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Japan. Based on our statistics, Smash Rash's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Smash Rash by ダニエル・ルブラン having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Song of Shadows | Paolo MIllon, Neon Lilith, Barbara Norbert | D Major | 3 | 10B | 144 BPM | ||
| Duke of Solitude | Hanne Diamond | G Major | 0 | 9B | 140 BPM | ||
| Enlightened State | ダニエル・ルブラン | E Major | 5 | 12B | 115 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | E Minor | 0 | 9A | 101 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
| Britten: Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | E Minor | 0 | 9A | 101 BPM | ||
| Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
| Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM | ||
| Cuban Fantasy | ダニエル・ルブラン | C Major | 7 | 8B | 90 BPM | ||
| Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 1 in C Major, BWV 846 | Classical Coterie | C Major | 0 | 8B | 217 BPM | ||
| Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
| Boccherini / Arr Staier, Andreas & Schornsheim, Christine : Fandango | Luigi Boccherini, Andreas Staier | D♭ Major | 3 | 3B | 138 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | ||
| Nocturne in F Minor "La Séparation" | Mikhail Glinka, Vadim Chaimovich | F Minor | 0 | 4A | 66 BPM | ||
| Variations on a Theme by Tchaikovsky, Op. 35a: Theme. Moderato | Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 2 | 9A | 54 BPM | ||
| Listos para La Proeza | Senderos Del Destino | B♭ Major | 2 | 6B | 140 BPM | ||
| Paradise of Body | Ernesto Vallini, Neon Lilith, Vanity Bulleck, Royal Philarmonic Cunes | D Minor | 3 | 7A | 100 BPM | ||
| Waltz, Op. 70, No. 1 in G-Flat Major (Posthumous) - Welte-Mignon 1465 | Frédéric Chopin, Fannie Bloomfield Zeisler, Peter Phillips | C Major | 1 | 8B | 97 BPM | ||
| Udana Faran | ダニエル・ルブラン | G Minor | 4 | 6A | 150 BPM | ||
| I. Moderato | Antonín Dvořák, Peter Breiner | E Major | 0 | 12B | 71 BPM | ||
| Variations on a Theme by Tchaikovsky, Op. 35a: Coda. Moderato | Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 1 | 9A | 130 BPM | ||
| El por qué del dorado | Juan Pablo Fernández Ramos | E Minor | 0 | 9A | 101 BPM |