August Burns Red's 'Too Late for Roses' had a release date set for November 8, 2005. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Thrill Seeker". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Too Late for Roses's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Too Late for Roses by August Burns Red having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anyone Can Dig A Hole But It Takes A Real Man To Call It Home | Underoath | B♭ Major | 10 | 6B | 174 BPM | ||
| The Worst Is yet to Come | Still Remains | A♭ Major | 10 | 4B | 194 BPM | ||
| Dr.Shavargo Pt.3 | Attack Attack! | E Major | 10 | 12B | 124 BPM | ||
| More Than Conquerors | Impending Doom | B♭ Minor | 10 | 3A | 135 BPM | ||
| We Know Who You Are | The Word Alive | F Minor | 8 | 4A | 97 BPM | ||
| Profit Motive | Gwen Stacy | G Major | 10 | 9B | 180 BPM | ||
| The Poison Apple | Bury Your Dead | D Major | 10 | 10B | 96 BPM | ||
| In Wolves | This Or The Apocalypse | G Major | 10 | 9B | 133 BPM | ||
| Flourish | The Contortionist | B Major | 9 | 1B | 144 BPM | ||
| Savannah | Zao | C Major | 9 | 8B | 99 BPM | ||
| Golgotha | With Blood Comes Cleansing | D♭ Major | 7 | 3B | 124 BPM | ||
| Antithesis | Jamie's Elsewhere | A♭ Major | 9 | 4B | 170 BPM | ||
| Absentimental: Street Clam | Norma Jean | D♭ Major | 10 | 3B | 96 BPM | ||
| Call to Arms | The Crimson Armada | G Major | 10 | 9B | 110 BPM | ||
| Empire of the Gun | God Forbid | D Major | 10 | 10B | 142 BPM | ||
| Thoughts In Reverse | Destroy The Runner | A♭ Major | 9 | 4B | 90 BPM | ||
| Pseudo Self | Texas In July | D Minor | 10 | 7A | 125 BPM | ||
| Deceiver | Impending Doom | B♭ Minor | 10 | 3A | 161 BPM | ||
| Age of Apocalypse | Blood Has Been Shed | D♭ Major | 10 | 3B | 102 BPM | ||
| Into Oblivion | Becoming The Archetype | D♭ Major | 10 | 3B | 174 BPM | ||
| Hard Branch to Snap | This Or The Apocalypse | B Minor | 10 | 10A | 105 BPM | ||
| Vela, Together We Await The Storm | The Human Abstract | A♭ Major | 10 | 4B | 140 BPM | ||
| The Conflict | The Ghost Inside | B Major | 10 | 1B | 125 BPM | ||
| The Epigone | Becoming The Archetype | G Major | 9 | 9B | 99 BPM | ||
| Speech Impediment | August Burns Red | D♭ Major | 9 | 3B | 160 BPM |