Introduction et Allegro, M. 46: Introduction et allegro, M. 46 by Maurice Ravel, Academy of St. Martin in the Fields, Skaila Kanga Song Details

"Introduction et Allegro, M. 46: Introduction et allegro, M. 46" by Maurice Ravel, Academy of St. Martin in the Fields, Skaila Kanga had its release date on August 1, 1988. This song appears to be safe for all ages as it is not explicit. There are a total of 10 in the song's album "Ravel, Debussy & Saint-Seans with the Academy of St Martin-in-the-Fields". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Introduction et Allegro, M. 46: Introduction et allegro, M. 46 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Introduction et Allegro, M. 46: Introduction et allegro, M. 46 by Maurice Ravel, Academy of St. Martin in the Fields, Skaila Kanga having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 18%
Loudness: -22.292 dB
Acousticness: 99%
Danceability: 19%
Energy: 8%
Instrumentalness: 87%
Liveness: 10%
Loudness: 63%
Speechiness: 5%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Au bord d'une source	Franz Liszt, André Laplante	A♭ Major	2	4B	70 BPM
Suk: Serenade for Strings in E-Flat Major, Op. 6: IV. Allegro giocoso ma non troppo presto	Josef Suk, Christopher Warren-Green, Andrew Shulman, Lyn Fletcher, Roger Chase, Nigel Warren-Green, London Chamber Orchestra	B♭ Major	2	6B	106 BPM
Symphony No. 1 in F Minor, Op. 10: I. Allegretto – Allegro non troppo	Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons	B♭ Minor	0	3A	125 BPM
Japanese Suite, Op. 33, H. 126: V. Dance Under the Cherry Tree	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	3	5A	103 BPM
Violin Concerto, Op. 14: I. Allegro	Samuel Barber, Isaac Stern, Leonard Bernstein, New York Philharmonic	G Major	2	9B	95 BPM
Piano Concerto No.1 in E minor, Op.11: 2. Romance (Larghetto)	Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra	E Major	0	12B	65 BPM
Suite bergamasque, L. 75 (Arr. for Orchestra): I. Prélude	Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル	F Major	1	7B	90 BPM
Pines of Rome, P. 141: I. I pini di Villa Borghese	Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta	C Minor	1	5A	90 BPM
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto	Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit	F Major	0	7B	74 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	A♭ Major	1	4B	109 BPM
Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): III. Andante moderato	Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger	N/A	N/A	N/A	0 BPM
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande	George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields	D Minor	0	7A	116 BPM
Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	G Major	1	9B	105 BPM
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera	Nora Mercz, Maurice Ravel, Janos Balint	G Minor	0	6A	70 BPM
Autumn Gardens: II. Tranquillo	Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy	C Major	0	8B	78 BPM
Serenade for Flute, Violin, Viola, Cello and Harp, Op. 30: II. Andante	Albert Roussel, Academy of St. Martin in the Fields, Skaila Kanga	E Minor	0	9A	174 BPM
Fantaisie for Violin and Harp, Op. 124	Camille Saint-Saëns, Academy of St. Martin in the Fields, Skaila Kanga	D Major	1	10B	99 BPM
5 Preludes: No. 4, Andante con moto	William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones	E Major	0	12B	76 BPM
Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	G Major	0	9B	45 BPM
Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	A♭ Major	2	4B	127 BPM
Menuet antique, M. 7 (Version for Orchestra)	Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン	D♭ Minor	0	12A	73 BPM
Finlandia, Op. 26	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	3	4B	67 BPM
Masquerade Suite: Romance	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	B♭ Minor	1	3A	176 BPM
Grieg: 2 Elegiac Melodies, Op. 34: No. 1, The Wounded Heart (Orchestral Version)	Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields	B♭ Major	1	6B	87 BPM
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	G Major	1	9B	59 BPM