On September 24, 1969, the song "Get Like You Used to Be" was released by Chicken Shack. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "OK Ken?". In this album, this song's track order is #3. In terms of popularity, Get Like You Used to Be is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Get Like You Used to Be by Chicken Shack having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sleeping In The Ground - Live: Hyde Park, London 7th June 1969 | Blind Faith | A Major | 5 | 11B | 114 BPM | ||
| Penicillin Blues | Stone The Crows | B Minor | 5 | 10A | 112 BPM | ||
| Midnight Comes Too Soon | Robben Ford | A Minor | 5 | 8A | 77 BPM | ||
| Who Do You Love? | Juicy Lucy | A Major | 7 | 11B | 92 BPM | ||
| I Wonder Why (Are You So Mean To Me) | BBM | E Minor | 9 | 9A | 138 BPM | ||
| Rumors | Albert Cummings | B♭ Minor | 7 | 3A | 168 BPM | ||
| Hey Baby, Everything's Gonna Be Alright, Yeh Yeh Yeh | Climax Blues Band | A Major | 9 | 11B | 172 BPM | ||
| Three Hours Past Midnight | Colin James | D Major | 7 | 10B | 79 BPM | ||
| Woman's Gone | Brainbox | G Major | 7 | 9B | 80 BPM | ||
| You Done Tore Your Playhouse Down Again | King Biscuit Boy | C Major | 5 | 8B | 168 BPM | ||
| Andalucian Blues | Chicken Shack | E Minor | 4 | 9A | 183 BPM | ||
| So Unkind - 1999 RemasterStereo | Love Sculpture | C Major | 6 | 8B | 118 BPM | ||
| Blues Helping - 1999 RemasterStereo | Love Sculpture | C Minor | 4 | 5A | 99 BPM | ||
| Love That Burns - with Rick Vito - Live from The London Palladium | Mick Fleetwood and Friends, Rick Vito | G Minor | 3 | 6A | 78 BPM | ||
| Framed - Remastered 2002 | The Sensational Alex Harvey Band | C Major | 5 | 8B | 102 BPM | ||
| Where The Blues Begins (feat. Carlos Santana) | Buddy Guy, Santana | F Minor | 7 | 4A | 98 BPM | ||
| Bloodshot Eyes | Emanuel Casablanca, Albert Castiglia | E Minor | 7 | 9A | 113 BPM | ||
| Running on Back to You | Stevie Nimmo | A Major | 5 | 11B | 129 BPM | ||
| Don't Want Lies | The Rides | B Minor | 5 | 10A | 79 BPM | ||
| Blues Prisoner | Tommy Castro | G Minor | 6 | 6A | 154 BPM | ||
| Empty Promises | Michael Burks | D Minor | 6 | 7A | 138 BPM | ||
| Midnight Rider | Juicy Lucy | F♯ Major | 5 | 2B | 92 BPM | ||
| Blues for J | Julian Sas | D Minor | 5 | 7A | 86 BPM | ||
| Waitin' For The Wind | Spooky Tooth | E Minor | 5 | 9A | 97 BPM | ||
| Badlands | Trampled Under Foot | G Minor | 6 | 6A | 106 BPM |