On March 13, 2008, the song "Phullan Wali Varkha" was released by Sursagar, Mani Sagar. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sukha Ram Saroa, Sursagar, Mani Sagar's "Jogi Utar Pahadon Aaya" album is number 9 out of 11. On top of that, India appears to be the country where this track was created. In terms of popularity, Phullan Wali Varkha is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Phullan Wali Varkha by Sursagar, Mani Sagar to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oriye Oriye Madhu Chuve | Pawan Singh, Anuja | F Major | 6 | 7B | 120 BPM | ||
| Zaboor 119 - Mainu Tu Rehai Dae Weikh Musibat Meree | Kainat Hans, Komal Hans, Anita Samuel, Rabiya Randhawa | C Minor | 8 | 5A | 104 BPM | ||
| Bebe Tera Devar | Uttar Kumar, Santram Banjara, Suman Negi, Kalpana Chauhwan, Pushpa | B♭ Minor | 9 | 3A | 102 BPM | ||
| Mery Piyar Tay Hasdy Loko | Ahmad Nawaz Cheena | B Minor | 9 | 10A | 109 BPM | ||
| Chandi Mai Da Bhawan Kina Sohna Sajda (Chandi Mata Bhajan) Dogri Bhajan | Karan Sharma | D Major | 9 | 10B | 102 BPM | ||
| Chimte Di Chhankar | Pammi Thakur | G Major | 9 | 9B | 140 BPM | ||
| Jogi Uttar Paharhon Aaya | Sukha Ram Saroa | B♭ Minor | 9 | 3A | 140 BPM | ||
| Sadke Tere Pyaran De | Surinder Bujrak, Anita Samana | B Major | 7 | 1B | 161 BPM | ||
| Kathe Hoye Driveran Ne | Jagga Safri, Paramjoti | B Major | 9 | 1B | 188 BPM | ||
| Raat Nave Saal Di | Sukha Ram Saroa, Sur Sagar, Mani Sagar | D♭ Major | 9 | 3B | 130 BPM | ||
| Teri Kirpa De Naal Chalda Hai Parivaar (Chandi Mata Bhajan) Dogri Bhajan | Naveen Punjabi | D♭ Major | 10 | 3B | 84 BPM | ||
| Ucheyan Mandiran Waliye | Vinod Ji | D♭ Major | 6 | 3B | 100 BPM | ||
| Oho Taan Gand Da Taqdiran Nu | Feroz Khan | A♭ Minor | 5 | 1A | 139 BPM | ||
| Dhola Jo Bewafa Hay | Ahmad Nawaz Cheena | A Minor | 9 | 8A | 110 BPM | ||
| Soah Meri Lagge | Manjit Rupowalia | D♭ Major | 7 | 3B | 140 BPM | ||
| Do Badiyan Kimti Jinda | Saleem | F♯ Minor | 7 | 11A | 140 BPM | ||
| Kol Bahke Sun Sajna | Hakam Sufi | F♯ Major | 9 | 2B | 119 BPM | ||
| Lagan Tumse Laga Bethe | Maithili Thakur, Acyuta Gopi | F Major | 6 | 7B | 144 BPM | ||
| Jag Da Sataya Hoya | Saleem | F♯ Major | 7 | 2B | 78 BPM | ||
| Mainu Kar Kar Yaad | Kuldeep Rasila, Lal Kamal, Buta Bhairupa | F Minor | 4 | 4A | 131 BPM | ||
| Mein Paapi Tu Bakshanhaar | Balkar Sidhu | A♭ Major | 9 | 4B | 89 BPM | ||
| Rooh Gad Gad Ho Gai | Sukha Ram Saroa | G Minor | 8 | 6A | 184 BPM | ||
| 31 December Aaiye | Narendra Chanchal | F♯ Minor | 9 | 11A | 128 BPM | ||
| Bolbona Go Ar Kono Din - 17 | Baul Sukumar | B♭ Minor | 6 | 3A | 90 BPM | ||
| Chodivendaen | Ahmed Nawaz Cheena | E Minor | 6 | 9A | 106 BPM |