"To A Woman That I Knew With Extravaganza Hue - REMASTERED 2017" by STRAIGHTOUT had its release date on May 27, 2004. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "UNDIYING BEAUTY AND THE SYMPHONY OF SADNESS (REMASTERED 2017)". In this album, this song's track order is #10. To A Woman That I Knew With Extravaganza Hue - REMASTERED 2017 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To A Woman That I Knew With Extravaganza Hue - REMASTERED 2017 by STRAIGHTOUT having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Redam Amarah | Paper Gangster | F♯ Major | 10 | 2B | 150 BPM | ||
| I the King Shall Return | Makhlvk | D Major | 9 | 10B | 103 BPM | ||
| Criminally Insane | Death Vomit | F Minor | 9 | 4A | 120 BPM | ||
| Desert of Woe | Nomad | E Major | 9 | 12B | 82 BPM | ||
| Awake to Decide | Nectura | D♭ Major | 10 | 3B | 105 BPM | ||
| Symphony Kegelapan | Kapital | D Major | 10 | 10B | 131 BPM | ||
| Hipocrishit | Purgatory | F♯ Major | 9 | 2B | 95 BPM | ||
| All of My Hate | Beside | C Major | 9 | 8B | 115 BPM | ||
| Aberration | AnnaMaria | G Major | 8 | 9B | 85 BPM | ||
| Digging Grave | Oswald Victor | B♭ Minor | 9 | 3A | 114 BPM | ||
| Silhoute Holocaust | STRAIGHTOUT | G Major | 9 | 9B | 117 BPM | ||
| Children of Eden | Down for Life | D Major | 10 | 10B | 131 BPM | ||
| Angerball | Purgatory | A♭ Major | 8 | 4B | 95 BPM | ||
| Enigma of Obsessed Hatred | Viscral | G Major | 10 | 9B | 115 BPM | ||
| Abnormal Funeral | Demented Heart | D♭ Major | 10 | 3B | 120 BPM | ||
| Ode Kekekalan Pusara | DeadSquad | A♭ Major | 10 | 4B | 134 BPM | ||
| Paradigma | Humiliation, Friend, Man Jasad, Jimbot | A♭ Major | 9 | 4B | 120 BPM | ||
| The Final Hope | Restraint | A♭ Major | 10 | 4B | 170 BPM | ||
| Buas | Speedkill | A♭ Minor | 10 | 1A | 140 BPM | ||
| Propaganda | Noxa | F♯ Minor | 10 | 11A | 111 BPM | ||
| Clouds Retiring | Pure Wrath | D♭ Major | 10 | 3B | 87 BPM | ||
| Heroi Ba Rai | SANCTUARY GOLGOTA | B♭ Minor | 10 | 3A | 107 BPM | ||
| Under the Road | Devilz by Definition | E Major | 9 | 12B | 82 BPM | ||
| Presages from a Restless Soul | Pure Wrath | A Minor | 9 | 8A | 170 BPM | ||
| Pancamakara | Jasad | G Major | 10 | 9B | 104 BPM |