"All Things Are Quite Silent (arr. Kerry Andrew)" by Traditional, Kerry Andrew, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood had its release date on September 25, 2020. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 17 in All Things Are Quite Silent by The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. All Things Are Quite Silent (arr. Kerry Andrew) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of All Things Are Quite Silent (arr. Kerry Andrew) by Traditional, Kerry Andrew, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Hymn for St Cecilia | Lucy Walker, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge, Molly Hord | F♯ Major | 1 | 2B | 60 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Northern Lights | Sjaella | E♭ Minor | 0 | 2A | 105 BPM | ||
| Ecce beatam lucem à 40 | Alessandro Striggio, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 126 BPM | ||
| Les Chansons Des Roses: IV. La Rose Complète | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 135 BPM | ||
| Hvíld | Hugi Guðmundsson, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A Minor | 0 | 8A | 72 BPM | ||
| A Prayer of Desmond Tutu | James Whitbourn, Desmond Tutu, Commotio, Andrew Ker, Steffan Jones, Matthew Berry | D Major | 1 | 10B | 92 BPM | ||
| O Maria, stella maris | Traditional, Trio Mediæval | F Major | 0 | 7B | 129 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| In Paradisum | Ghislaine Reece-Trapp, Anna Lapwood | C Major | 0 | 8B | 72 BPM | ||
| the little match girl passion: we sit and cry | David Lang, Theatre Of Voices, Paul Hillier | B♭ Minor | 1 | 3A | 145 BPM | ||
| Four Sea Interludes Op. 33a: II. Sunday Morning - Arr. for Organ by Anna Lapwood | Benjamin Britten, Anna Lapwood | A Major | 1 | 11B | 68 BPM | ||
| A Boy Was Born, Op. 3: Corpus Christi Carol (arr. for lute by Jonas Nordberg) | Benjamin Britten, Ruby Hughes, Jonas Nordberg | E Major | 2 | 12B | 131 BPM | ||
| Trilo | Bengt Ollen, Chamber Choir 441 Hz, Anna Wilczewska | E♭ Major | 1 | 5B | 86 BPM | ||
| Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
| Ave Maria | Franz Biebl, Christopher Bell, National Youth Choir of Scotland | B♭ Major | 1 | 6B | 65 BPM | ||
| Requiem: Psalm 23 | Herbert Howells, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 125 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
| Four Sea Interludes Op. 33a: IV. Storm (Arr. for Organ by Anna Lapwood) | Benjamin Britten, Anna Lapwood | E Major | 1 | 12B | 88 BPM | ||
| Night Song | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Minor | 1 | 8A | 115 BPM | ||
| Breves Dies Hominis | Traditional, Lionheart | D Major | 1 | 10B | 106 BPM | ||
| He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 70 BPM | ||
| Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | ||
| When the Earth Stands Still | Cantus | A♭ Major | 3 | 4B | 109 BPM | ||
| Kaipaava | Jussi Chydenius, Essi Wuorela, Chamber Choir 441 Hz, Anna Wilczewska | B♭ Minor | 1 | 3A | 80 BPM |