On May 29, 2019, the song "Never Let Go - Instrumental" was released by Kenichiro Nishihara. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 10 in Elastic Afterwords (Instrumental) by Kenichiro Nishihara. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. The popularity of Never Let Go - Instrumental is currently below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Never Let Go - Instrumental by Kenichiro Nishihara is Presto (very, very fast), since this song has a tempo of 192 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fragment | Herajika Tracks | D♭ Minor | 7 | 12A | 86 BPM | ||
| Snow Profile | S I M | D Minor | 9 | 7A | 79 BPM | ||
| Stories & Studies | TOMC | D♭ Major | 5 | 3B | 80 BPM | ||
| ameagari | MIZUKAMI | B♭ Minor | 4 | 3A | 77 BPM | ||
| TAO (Produced by Kie Katagi) | NABOWA, jizue | D♭ Major | 4 | 3B | 93 BPM | ||
| Moon Flow | Nomak | C Major | 7 | 8B | 186 BPM | ||
| On the Edge of the World | Kondor | F Major | 9 | 7B | 93 BPM | ||
| Torimichi | Coddneck | F Minor | 7 | 4A | 92 BPM | ||
| Unblinking | Little West | G Minor | 7 | 6A | 98 BPM | ||
| Letters to Jun(E) | Witness | B Major | 8 | 1B | 91 BPM | ||
| Evening glow | re:plus, Yusuke Shima | C Major | 8 | 8B | 156 BPM | ||
| Whisked Away Again | Kalaido | F Minor | 5 | 4A | 117 BPM | ||
| stay away | Float 11 | B Minor | 8 | 10A | 96 BPM | ||
| Ephemeral summer | re:plus | D Major | 3 | 10B | 124 BPM | ||
| Feel | Hiroki Mizukami | B Minor | 9 | 10A | 112 BPM | ||
| Reflecting Purple | Blazo | D♭ Major | 6 | 3B | 97 BPM | ||
| DAT JAZZ | Nicholas Cheung | E♭ Major | 8 | 5B | 174 BPM | ||
| To the Grove | Ljones | C Minor | 9 | 5A | 94 BPM | ||
| The Last Cherry Blossom | RudeManners | D♭ Major | 6 | 3B | 174 BPM | ||
| Strive | Axian | B♭ Major | 8 | 6B | 98 BPM | ||
| my love my life | Kenichiro Nishihara, Steph Pockets | B Major | 8 | 1B | 94 BPM | ||
| Sky Graffiti | Tsunenori | E Major | 5 | 12B | 84 BPM | ||
| Airporter | Marcus D | F♯ Minor | 4 | 11A | 102 BPM | ||
| Parabolic Geometry | Tsunenori | D♭ Major | 9 | 3B | 98 BPM | ||
| Twisted Dragonfly | Hidefumi Kenmochi | A Minor | 3 | 8A | 102 BPM |