"I See Dead Kids" by John Ottman had its release date on January 1, 2003. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Ottman's "Gothika (Original Motion Picture Soundtrack)" album is number 15 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, I See Dead Kids's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I See Dead Kids by John Ottman to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phoenix Rises | John Powell | F♯ Major | 7 | 2B | 131 BPM | ||
| Captain America | Alan Silvestri | F Major | 4 | 7B | 95 BPM | ||
| Proud Of You | Blake Neely | D♭ Minor | 1 | 12A | 82 BPM | ||
| Planet 4/Main Theme | Jed Kurzel | B♭ Minor | 2 | 3A | 56 BPM | ||
| Main Title | Don Davis | F♯ Minor | 7 | 11A | 135 BPM | ||
| Prime | Steve Jablonsky, Lisbeth Scott | A♭ Major | 5 | 4B | 80 BPM | ||
| Kronos Megalos - Remix | Javier Navarrete | F Minor | 5 | 4A | 152 BPM | ||
| Flynn Lives - From "TRON: Legacy"/Score | Daft Punk | D♭ Major | 3 | 3B | 108 BPM | ||
| Force Shoots Robo | Basil Poledouris | A Minor | 1 | 8A | 84 BPM | ||
| Who's Up for More? | Blake Neely | G Major | 5 | 9B | 72 BPM | ||
| Last Walk | Marc Streitenfeld | E Major | 2 | 12B | 127 BPM | ||
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| Birth Of The Flash | Blake Neely | F Minor | 1 | 4A | 71 BPM | ||
| The Price Of A Good Trick | The Prestige | A Minor | 2 | 8A | 72 BPM | ||
| The Dark Archer / It Is I Who Failed This City | Blake Neely | G Minor | 4 | 6A | 123 BPM | ||
| Nate's Theme 3.0 | Greg Edmonson | E Minor | 5 | 9A | 125 BPM | ||
| London 2166 / Set a Course | Blake Neely | A Major | 7 | 11B | 102 BPM | ||
| Back To The Future Overture | The Outatime Orchestra | B Major | 6 | 1B | 135 BPM | ||
| How Could You Leave Us | John Ottman | D Minor | 1 | 7A | 87 BPM | ||
| Legend of Metru Nui / Toa Stones | Nathan Furst | D♭ Major | 5 | 3B | 135 BPM | ||
| The Apes Attack | Patrick Doyle | F Major | 6 | 7B | 150 BPM | ||
| Arrival at Aslan's How | Harry Gregson-Williams | F♯ Major | 2 | 2B | 74 BPM | ||
| Finale | Henry Jackman, Matthew Margeson | C Minor | 5 | 5A | 99 BPM | ||
| A Matter of Going | Joe Kraemer | G Major | 0 | 9B | 127 BPM | ||
| For Those We Never Meet - Bonus Track | Max Aruj, Alfie Godfrey | D Major | 2 | 10B | 115 BPM |