Can't Get Used To Those - Afterlude
Dimlite
Prismic Tops
1:31 May 4, 2010
BPM
131
Key
F Minor
Camelot
4A

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Can't Get Used To Those - Afterlude by Dimlite Song Details

Dimlite's ' "Can't Get Used To Those - Afterlude" was released on its scheduled release date, May 4, 2010. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Prismic Tops". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Can't Get Used To Those - Afterlude's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Can't Get Used To Those - Afterlude by Dimlite having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-8.991 dB
Acousticness
43%
Danceability
51%
Energy
67%
Instrumentalness
79%
Liveness
40%
Loudness
85%
Speechiness
31%
Valence
70%

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ISRC
US2S71060007
Label
L-M Records/RCA Records