"Rinaldo, HWV 7: Lascia ch'io pianga" by George Frideric Handel, Samuel Mariño, Covent Garden Sinfonia, Ben Palmer had its release date on May 23, 2025. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Handel: Rinaldo, HWV 7: Lascia ch'io pianga and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Rinaldo, HWV 7: Lascia ch'io pianga is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo, HWV 7: Lascia ch'io pianga by George Frideric Handel, Samuel Mariño, Covent Garden Sinfonia, Ben Palmer to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| March of the Women (Arr. for Violin and Orchestra by Esther Abrami) | Ethel Smyth, Esther Abrami, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez, Emmeline Pankhurst | D Minor | 2 | 7A | 88 BPM | ||
| Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) | Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 1 | 7B | 91 BPM | ||
| Neujahrsgruß / New Year's Address / Allocution du Nouvel An | Not Applicable, Wiener Philharmoniker, Yannick Nézet-Séguin | C Major | 2 | 8B | 82 BPM | ||
| L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
| Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
| Serse, HWV 40: Ombra mai fu "Largo" | George Frideric Handel, Samuel Mariño, Covent Garden Sinfonia, Ben Palmer | F Major | 1 | 7B | 129 BPM | ||
| Il Giustino, RV 717 / Act 2: "Vedrò con mio diletto" | Antonio Vivaldi, Cecilia Bartoli, Ensemble Matheus, Jean-Christophe Spinosi | B Minor | 1 | 10A | 110 BPM | ||
| Solitude (Arr. for Violin and Piano by Esther Abrami) | Rita Strohl, Esther Abrami, Kim Barbier | D Minor | 2 | 7A | 89 BPM | ||
| Cavalli: Il Xerse, Act 1: "Ombra mai fu" (Xerse) | Francesco Cavalli, Philippe Jaroussky | F Major | 1 | 7B | 91 BPM | ||
| Cello Sonata in D Minor, Op. 40: II. Allegro | Dmitri Shostakovich, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Major | 3 | 9B | 106 BPM | ||
| Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
| Dvořák: Songs My Mother Taught Me (From Gypsy Melodies, Op. 55, B. 104) | Sumi Jo, PKF – Prague Philharmonia, Ondrej Lenard | D Major | 3 | 10B | 111 BPM | ||
| La Gioconda, Op. 9: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
| Handel: Il Trionfo del Tempo e del Disinganno, HWV 46a: "Pure del cielo intelligenze eterne" (Bellezza) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | E♭ Major | 1 | 5B | 94 BPM | ||
| Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
| Ave Maria, G 89a (After J.S. Bach: Prelude in C Major, BWV 846) [Arr. Hazell for Voice & Orchestra) | Charles Gounod, Samuel Mariño, Covent Garden Sinfonia, Ben Palmer | G Major | 1 | 9B | 90 BPM | ||
| Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Anne Sofie von Otter, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 75 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM | ||
| La Girometta - Live at the Llangollen International Musical Eisteddfod, 1995 | Gabriele Sibella, Luciano Pavarotti, BBC Philharmonic, Leone Magiera | E♭ Major | 1 | 5B | 80 BPM | ||
| Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
| Ai giocchi addio | Nino Rota, Luciano Pavarotti, Andrea Griminelli, The London Film Orchestra, Gavyn Wright | F Major | 3 | 7B | 171 BPM | ||
| Bizet: Carmen, Act 2: "Votre toast, je peux vous le rendre" (Escamillo, Frasquita, Mercédès, Carmen, Zuniga, Chœur) | Georges Bizet, Rafael Frühbeck de Burgos, Bernard Gontcharenko, Chœur du Théâtre national de l'Opéra de Paris, Éliane Lublin, Grace Bumbry, Kostas Paskalis, Viorica Cortez, Orchestre du Théâtre National de l'Opéra de Paris | G Minor | 0 | 6A | 124 BPM | ||
| La Romanesca | Adrien François Servais, Sol Gabetta, Cappella Gabetta | B Minor | 1 | 10A | 78 BPM | ||
| Missa solemnis, Op. 123: I. Kyrie: a. Kyrie eleison | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 2 | 10B | 54 BPM |