"Betrayal" by Debbie Wiseman, The Locrian Ensemble Of London had its release date on December 13, 2024. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Betrayal's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolf Hall: The Mirror and The Light (Original Television Soundtrack) by Debbie Wiseman. The song's track number on the album is #11 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Betrayal's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Betrayal by Debbie Wiseman, The Locrian Ensemble Of London has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Betrayal being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stillness Of The Mind | Abel Korzeniowski | A Minor | 0 | 8A | 75 BPM | ||
| The Shore | Arash Safaian, Bernhard Wünsch, The Berlin Orchestra | D Major | 1 | 10B | 68 BPM | ||
| Austin Friars | Debbie Wiseman | G Major | 1 | 9B | 122 BPM | ||
| ivory morning | eire music | E♭ Major | 1 | 5B | 132 BPM | ||
| The Heart Asks Pleasure First - From "The Piano" | Michael Nyman, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | A Minor | 3 | 8A | 165 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| That's What Friends Are For | Hannes De Maeyer, Ruben de Gheselle | E Minor | 1 | 9A | 113 BPM | ||
| Anne | Debbie Wiseman, National Symphony Orchestra | E♭ Major | 1 | 5B | 117 BPM | ||
| Excentricidades | Almas Paralelas | F♯ Minor | 2 | 11A | 76 BPM | ||
| Sensaciones Diferentes | Las Guerreras | D Minor | 0 | 7A | 119 BPM | ||
| Becoming | Tony Woollard, Curve Ensemble | A♭ Major | 3 | 4B | 102 BPM | ||
| Opciones Multiples | Las Guerreras | F Major | 1 | 7B | 131 BPM | ||
| Amor en la Imaginacion | Ninfas De Ultramar | D Minor | 4 | 7A | 68 BPM | ||
| Ocean Sky | Milena Korkova, Mila Korr | D Major | 3 | 10B | 170 BPM | ||
| Lineas De Defensa | Los Triunfadores | A Minor | 3 | 8A | 108 BPM | ||
| Edward's Story on the Train & Grace Is Gone | Alex Heffes | G Minor | 0 | 6A | 63 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| Culinary Harmony | Estoria | D Minor | 4 | 7A | 68 BPM | ||
| The Renaissance Suite: III. BARRIERA in Gossamer Yellow | Julie Cooper, Eliza Marshall, Camilla Pay, Oculus Ensemble, Jessica Cottis | E Minor | 2 | 9A | 128 BPM | ||
| When Music Sounds: 5. I'll Sing | Rebecca Dale, Cantus Ensemble, The Studio Orchestra, Jeff Atmajian | F Major | 0 | 7B | 81 BPM | ||
| Wolfgang & Constanze | Sarah Class, Orchestra for the Earth, Jonathan Morton, John Warner | E Minor | 3 | 9A | 189 BPM | ||
| The Julia and Henry Theme | Bear McCreary | A Major | 4 | 11B | 147 BPM | ||
| Viniendo De Lejos | Las Guerreras | F♯ Minor | 3 | 11A | 169 BPM |