Patrick Wilson, Adam Routh's 'Taking Shape' had a release date set for September 15, 1990. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Taking Shape's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 14 in Destiny by Patrick Wilson, Adam Routh, Mike Vickers. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Taking Shape's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Taking Shape by Patrick Wilson, Adam Routh is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dyin' Ain't so Bad | Laura Osnes | C Major | 1 | 8B | 131 BPM | ||
| Now That I've Seen Her | Ruthie Henshall | D♭ Major | 3 | 3B | 203 BPM | ||
| Fun Factory | Patrick Wilson | B♭ Minor | 5 | 3A | 124 BPM | ||
| We're On The Move | Patrick Wilson, Adam Routh | G Major | 5 | 9B | 113 BPM | ||
| Last Midnight | Meryl Streep | D♭ Major | 3 | 3B | 56 BPM | ||
| The Melody Within | Kurt Bestor | F Major | 2 | 7B | 87 BPM | ||
| Morning Glow | Matthew James Thomas, The Players | D♭ Major | 3 | 3B | 81 BPM | ||
| Balcony Scene (Tonight) - From "West Side Story"/Soundtrack Version | Rachel Zegler, Ansel Elgort | D♭ Major | 1 | 3B | 64 BPM | ||
| Edelweiss - Duet / Alternate Version | Christopher Plummer, Charmian Carr, Irwin Kostal | A♭ Major | 1 | 4B | 97 BPM | ||
| Masquerade / Why so Silent | Sarah Brightman, Phantom Of The Opera Original London Cast, Michael Crawford, Steve Barton, Andrew Lloyd Webber | D♭ Major | 2 | 3B | 93 BPM | ||
| Once Upon a Dream - Lisa | Carolee Carmello | B Major | 2 | 1B | 92 BPM | ||
| Meant to Be | John Bolton | F Major | 2 | 7B | 148 BPM | ||
| The Man I Used to Be | Thomas Borchert | C Major | 4 | 8B | 132 BPM | ||
| Beautiful Ghosts (Victoria’s Song) - From The Motion Picture Soundtrack "Cats" | Francesca Hayward | E Major | 1 | 12B | 80 BPM | ||
| I Dreamed A Dream | Patti LuPone | E♭ Major | 2 | 5B | 91 BPM | ||
| Saving Summer (Remaster) | Oughtable, Patrick Wilson | C Minor | 5 | 5A | 152 BPM | ||
| Take Me as I Am | Anthony Warlow, Carolee Carmello | B♭ Major | 4 | 6B | 78 BPM | ||
| Every Story Is A Love Story | Sherie Rene Scott | A♭ Major | 1 | 4B | 84 BPM | ||
| Javert's Suicide | Terrence Mann | F Major | 2 | 7B | 54 BPM | ||
| End Duet / Transformation | Susan Egan, Terrence Mann | D Major | 1 | 10B | 58 BPM | ||
| Answer Me | Adam Kantor, The Band's Visit Original Broadway Company | C Major | 1 | 8B | 168 BPM | ||
| Scene Of Professors | Laura Benanti, Norbert Leo Butz, Patrick Wilson, Rodgers & Hammerstein | G Major | 3 | 9B | 61 BPM | ||
| Sun And Moon - Live | Miss Saigon Original Cast, Alistair Brammer, Eva Noblezada | A Major | 1 | 11B | 58 BPM | ||
| The Swordfight | Andrew Lloyd Webber, Gerard Butler, Emmy Rossum, Patrick Wilson | G Minor | 4 | 6A | 178 BPM | ||
| Computer Systems | Patrick Wilson | A♭ Major | 4 | 4B | 120 BPM |