On May 4, 2022, the song "Machhiware Wich" was released by Parkash Kaur, Surinder Kaur. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Machhiware Wich's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Punjabi Non - Film Hits Vol - 3". In this album, this song's track order is #11. Furthermore, we believe that the track originated from India. Based on our statistics, Machhiware Wich's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Machhiware Wich by Parkash Kaur, Surinder Kaur having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sawan Maas Piya | Madan Rai | A♭ Major | 6 | 4B | 139 BPM | ||
| Ran Charhdi Umre | Surinder Shinda, Gulshan Komal | A Major | 5 | 11B | 116 BPM | ||
| Teri Akh Darvaze Firdi | Mohd. Sadiq, Diljit Kaur | C Major | 5 | 8B | 105 BPM | ||
| Jaa Jaa Nako Maru Tu Gamja | Suresh Wadkar, Amit Kumar | D Minor | 5 | 7A | 145 BPM | ||
| Je Naseeba De Jehre, Pt. 2 | Talib Hussain Dard | G Major | 7 | 9B | 98 BPM | ||
| Nawan Yaar Hik | Ahmad Nawaz Cheena | D♭ Major | 8 | 3B | 73 BPM | ||
| Baanh Fad Lai Maiya Ji | Narendra Chanchal | B♭ Major | 5 | 6B | 129 BPM | ||
| Doroon Doroon | Atta Ullah Khan Esakhelvi | F♯ Major | 7 | 2B | 128 BPM | ||
| Sade Wali Mundari | Raj Brar | F♯ Minor | 6 | 11A | 122 BPM | ||
| Chhik Chandre Jeth Ne Mari | Kuldeep Manak, Seema | B Minor | 10 | 10A | 152 BPM | ||
| Chhote Lalan Diyan Ghodiyan | Baba Gulab Singh Ji | D♭ Major | 5 | 3B | 109 BPM | ||
| Hira Kohinoor | Milind Shinde | B♭ Minor | 4 | 3A | 88 BPM | ||
| Mori Akal Gai Mari | Jaysingh raja, Doli Rajpoot | F♯ Major | 6 | 2B | 82 BPM | ||
| Bedard Kudi | Sanam Deep | D♭ Major | 4 | 3B | 130 BPM | ||
| Rumal | Satnam Sagar, Sharanjeet Shammi | A♭ Major | 7 | 4B | 164 BPM | ||
| Rabb Utte Rakh Doriyan | Kuldeep Paras, Gulshan Komal | A Major | 7 | 11B | 96 BPM | ||
| Piya Aaj Mori Mano | Jaysingh raja, jyoti Kushvah | F♯ Major | 4 | 2B | 158 BPM | ||
| Mainu Karke Parai | Dharampreet | A♭ Minor | 6 | 1A | 145 BPM | ||
| Ratan Bhaiyake Lali Ghodi - Bhaiya Dooj / Soundtrack Version | Alka Yagnik | F Minor | 7 | 4A | 80 BPM | ||
| Jeth Chhada Nitt Laindai Pange | Balkar Ankhila, Manjinder Gulshan | B♭ Major | 8 | 6B | 99 BPM | ||
| Tumba Ghare Nun Lawade | Muhammad Sadiq, Ranjit Kaur | D♭ Major | 6 | 3B | 115 BPM | ||
| Anand Sahib | Darbar Sahib Radio, Bhai Manpreet Singh Ji Kanpuri | B♭ Major | 8 | 6B | 105 BPM | ||
| Prabh Aage Ardaas | Bhai Jujhar Singh Ji | F Minor | 6 | 4A | 101 BPM | ||
| O Fetewali Tumhi | Anand Shinde, Sulochna Chauhaan | F Minor | 6 | 4A | 99 BPM | ||
| Sasurar Goriya Sasurar Goriya | Bharat Sharma Vyas | E♭ Major | 5 | 5B | 82 BPM |