Max Reger, Marc-André Hamelin's 'Variations & Fugue on a Theme by Telemann, Op. 134: Var. 15, Andante' had a release date set for January 1, 1999. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #37. Furthermore, we believe that the track originated from United Kingdom. The popularity of Variations & Fugue on a Theme by Telemann, Op. 134: Var. 15, Andante is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations & Fugue on a Theme by Telemann, Op. 134: Var. 15, Andante by Max Reger, Marc-André Hamelin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gammal fabodpsalm fran Dalarna: No. 1 in A Major (arr. J. Johansson for orchestra) [Old Pastoral Hymn from Dalecarlia] | Wilhelm Stenhammar, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | A Major | 2 | 11B | 85 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": I. Kyrie | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 66 BPM | ||
| 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | ||
| Geistliche Chormusik, Op. 11: No. 4, Verleih uns Frieden genädiglich, SWV 372 | Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 1 | 1A | 75 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| To Be Sung Of A Summer Night On The Water | Frederick Delius, Handel and Haydn Society, Grant Llewellyn | B♭ Major | 0 | 6B | 76 BPM | ||
| Nacht und Träume, D. 827 (Transcr. Gottwald for Choir) | Franz Schubert, Kammerchor Stuttgart, Frieder Bernius | G Minor | 1 | 6A | 106 BPM | ||
| Das Sühnopfer des neuen Bundes, Pt. 1: No. 7, Larghetto con moto | Carl Loewe, L'Arpa Festante Baroque Orchestra, Thomas Gropper | G Major | 0 | 9B | 74 BPM | ||
| 5 Gesänge, Op. 98: 1. Aus den Himmelsaugen | Max Reger, Lioba Braun, Bamberg Symphony, Horst Stein | D Major | 1 | 10B | 61 BPM | ||
| Messe D-Dur für Soli, Chor und Orgel, op. 8: I. Kyrie | Antonín Dvořák, Knabenchor Hannover, Tobias Gotting, Heinz Henning | D Major | 1 | 10B | 82 BPM | ||
| Piano Concerto for the Left Hand No. 2: III. Finale | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
| Vespro della Beata Vergine, SV 206: Conclusio (versiculum et responsorium) "Domine, exaudi orationem meam" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Renaud Brès | D Major | 2 | 10B | 99 BPM | ||
| Drop, Drop Slow Tears | Orlando Gibbons, The Choir of HM Chapel Royal, Hampton Court Palace, Carl Jackson | F Major | 0 | 7B | 131 BPM | ||
| Elegy No. 1 in F Minor | Milenna Jovic | F Major | 1 | 7B | 77 BPM | ||
| Piano Trio in D Minor, Op. 11: III. Lied | Fanny Mendelssohn, Trio Zadig | D Major | 1 | 10B | 101 BPM | ||
| Annelies: I. Introit - Prelude (Chamber Version) | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 88 BPM | ||
| Herr, nun lässest du deinen Diener in Friede fahren, SWV 281 | Heinrich Schütz, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 60 BPM | ||
| Onpa taivaassa tarjona lapsillekin | Fredrik Engelke, SRK Instrumentaali, Aaron Ahola | F♯ Major | 0 | 2B | 182 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Sinfonia in D Major, Wq. 183/1, H. 663: II. Largo | Carl Philipp Emanuel Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | C Major | 1 | 8B | 98 BPM | ||
| D'Indy : Symphonie sur un chant montagnard, 'Cévenole' Op.25 : II Assez modéré, mais sans lenteur | Vincent d'Indy, Marek Janowski, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 56 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Clarinet Trio in A Minor, Op. 114: II. Adagio | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Five Mystical Songs: 5. Antiphon | Ralph Vaughan Williams, Michael Leighton Jones, Jonathan Bradley, The Choir of Trinity College, Melbourne, Tinalley String Quartet | E♭ Major | 3 | 5B | 57 BPM |