Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic's 'Le carnaval des animaux, R. 125: 1. Introduction et Marche royale du Lion' had a release date set for November 2, 2018. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Prokofiev: Peter and the Wolf, Op. 67 - Saint-Saens: Le Carnaval des animaux & Danse macabre". In this album, this song's track order is #17. The popularity of Le carnaval des animaux, R. 125: 1. Introduction et Marche royale du Lion is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le carnaval des animaux, R. 125: 1. Introduction et Marche royale du Lion by Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | A Minor | 5 | 8A | 93 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 17d, Presto - 2017 Remastered Version | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 3 | 7B | 104 BPM | ||
| The Maid Of Pskov: Entr'acte To Act III: Street Scene | Moscow Symphony Orchestra, Nikolai Rimsky-Korsakov | D Major | 0 | 10B | 69 BPM | ||
| El salon Mexico | Aaron Copland, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 69 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: II. Allegro – Meno mosso - Live | Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein | A Minor | 0 | 8A | 85 BPM | ||
| Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 65 BPM | ||
| Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic, David Nadien, William Vacchiano | D Major | 0 | 10B | 94 BPM | ||
| Symphony No. 1, "Afro-american": Iii. Humor (Animato) | William Grant Still, Fort Smith Symphony | A♭ Major | 2 | 4B | 127 BPM | ||
| Saint Saens: Le Carnaval des animaux voliere 생상스 동물의 사육제 중 커다란 새장 | 김준영 | F Major | 2 | 7B | 169 BPM | ||
| The Carnival of the Animals, R.125: 5. The Elephant. Allegretto pomposo | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra, Claude Frank, Lilian Kallir | E♭ Major | 0 | 5B | 122 BPM | ||
| Gayane Suite No. 3: I. The Hunt - Andante | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 2 | 10B | 92 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
| Symphony No.3 In D Minor / Part 1: 1. - Tempo I - Live | Gustav Mahler, New York Philharmonic, Leonard Bernstein | F Major | 0 | 7B | 117 BPM | ||
| The Crown of India, Op. 66: March of the Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
| Saint Saens: Le Carnaval des animaux | 김준영 | G Major | 0 | 9B | 88 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
| Japanese Suite, Op. 33, H. 126: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 98 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 5, Allegro in F-Sharp Minor | Johannes Brahms, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 167 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
| Polovetsian Dances from Prince Igor: Allegro con spirito | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 5 | 11B | 90 BPM | ||
| La source, ou Naila: Suite No. 2: Suite No. 2: Pas de la Guzla | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Minor | 0 | 8A | 128 BPM | ||
| Le carnaval des animaux, R. 125: 6. Kangourous | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | C Minor | 0 | 5A | 144 BPM |