"Stasis Sounds For Long-Distance Space Travel (Final Approach 6)" by 36, zakè had its release date on June 27, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Stasis Sounds For Long-Distance Space Travel III". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Stasis Sounds For Long-Distance Space Travel (Final Approach 6) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stasis Sounds For Long-Distance Space Travel (Final Approach 6) by 36, zakè having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Interlude 1 (Ice Cream Van) | Pale Blue Eyes | D Major | 4 | 10B | 135 BPM | ||
| Beneath the Noise Floor | Pye Corner Audio | A♭ Minor | 5 | 1A | 68 BPM | ||
| maybe in the afterlife | austen | D Major | 4 | 10B | 135 BPM | ||
| A Few Thousand Years at the Museum | Nicolas Gueguen | D Major | 4 | 10B | 135 BPM | ||
| What Light Remains Pt. V | Bluetech | D Major | 4 | 10B | 135 BPM | ||
| Gems IV.III | Celer | D Major | 0 | 10B | 137 BPM | ||
| Luminosity | Joachim Spieth, zakè, Markus Guentner | A♭ Major | 2 | 4B | 87 BPM | ||
| Stasis Sounds for Long-Distance Space Travel (Stage 2) | 36, zakè | D Minor | 2 | 7A | 141 BPM | ||
| Stasis Sounds for Long-Distance Space Travel (Stage 4) | 36, zakè | E♭ Major | 3 | 5B | 75 BPM | ||
| Stasis Sounds For Long-Distance Space Travel (Final Approach 4) | 36, zakè | B♭ Minor | 3 | 3A | 171 BPM | ||
| Perfume Gloves | Almost An Island, marine eyes, Kenneth James Gibson, James Bernard | D Major | 3 | 10B | 120 BPM | ||
| Surfing on Wind | Patricia Wolf | D Major | 1 | 10B | 91 BPM | ||
| Seraph XXII | How to Disappear Completely | G Minor | 0 | 6A | 137 BPM | ||
| quiet circle | marine eyes | A♭ Major | 1 | 4B | 81 BPM | ||
| Start Again | Karo | D Major | 4 | 10B | 135 BPM | ||
| Foxton Stop Off | The Black Dog | E♭ Minor | 4 | 2A | 92 BPM | ||
| In Weightless Care | The Surrealist, Austin Rockman | A♭ Minor | 2 | 1A | 137 BPM | ||
| Found Missing | K. Leimer | D Major | 4 | 10B | 135 BPM | ||
| Caelum, No. II | zakè, Z.D. Frizzell | B♭ Minor | 4 | 3A | 142 BPM | ||
| Grandplains | Mount Shrine | C Minor | 1 | 5A | 79 BPM | ||
| End of August | Hirotaka Shirotsubaki | A♭ Minor | 0 | 1A | 107 BPM | ||
| Vermilion | David Cordero, anthéne | E♭ Minor | 2 | 2A | 141 BPM | ||
| i: off the path, | Leaving Laurel | D Major | 4 | 10B | 135 BPM | ||
| Between Echoes and Shadows | Hyperspace Odyssey | B♭ Minor | 2 | 3A | 73 BPM | ||
| Three Loaning End | Craven Faults | D Major | 4 | 10B | 135 BPM |