"You’re In My Wreckage" by Luke Atencio had its release date on June 30, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Skümaskot (Original Score)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, You’re In My Wreckage's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With You’re In My Wreckage by Luke Atencio having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wait | Hannah Parrott | C Major | 1 | 8B | 135 BPM | ||
| The New Man | Leopold Ross, Nick Chuba | E Major | 2 | 12B | 93 BPM | ||
| Brave Witnesses | Blair Mowat | C Minor | 1 | 5A | 93 BPM | ||
| A Living Light | Kyle Preston | A Minor | 0 | 8A | 85 BPM | ||
| Sarah | Maxence Dussere | C Major | 1 | 8B | 160 BPM | ||
| Static | Subheim | G Major | 7 | 9B | 100 BPM | ||
| Temple | Serene Mindtone | D♭ Major | 0 | 3B | 140 BPM | ||
| Storm Cloud | Rhian Sheehan | B♭ Major | 3 | 6B | 126 BPM | ||
| Distant Echo | Elyra Noq | F♯ Major | 1 | 2B | 129 BPM | ||
| Set Before Us | David A. Molina | D Major | 3 | 10B | 68 BPM | ||
| How Are You? | Jon Ekstrand | D♭ Minor | 1 | 12A | 82 BPM | ||
| Mbira Alto | Drakeba | A♭ Minor | 3 | 1A | 150 BPM | ||
| Unraveled | Luke Atencio | C Minor | 0 | 5A | 72 BPM | ||
| Not Afraid To Die | Jack Bartman | D Minor | 3 | 7A | 79 BPM | ||
| Under the Starry Sky | Sensitize | A Minor | 2 | 8A | 114 BPM | ||
| Siendo Cautos | Mutua Admiración | E♭ Minor | 3 | 2A | 202 BPM | ||
| Pill Crush | Nathan Micay | D Minor | 3 | 7A | 120 BPM | ||
| Splitter | CoastalDives | B♭ Major | 2 | 6B | 61 BPM | ||
| Drifting Apart | Clemens Ruh | A Minor | 4 | 8A | 120 BPM | ||
| Scenes From Above | Christopher Deighton, Peter Gregson | A Minor | 5 | 8A | 180 BPM | ||
| Perder Comba | Fases Ocultas | C Major | 2 | 8B | 70 BPM | ||
| Ghost Cam | Jack Bartman | D Minor | 3 | 7A | 79 BPM | ||
| There Is Where I Want To Work | Nathan Micay | D Minor | 3 | 7A | 120 BPM | ||
| Loom | Luke Atencio | F Major | 2 | 7B | 78 BPM | ||
| Where I am is where I wanted to be | Glückskind | F Minor | 6 | 4A | 102 BPM |