Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Wie du warst! Wie du bist!" (Octavian, Marschallin) by Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra Song Details

"Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Wie du warst! Wie du bist!" (Octavian, Marschallin)" by Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra had its release date on 1957. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 62 in the song's album "Strauss: Der Rosenkavalier". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Wie du warst! Wie du bist!" (Octavian, Marschallin) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Wie du warst! Wie du bist!" (Octavian, Marschallin) by Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -21.122 dB
Acousticness: 98%
Danceability: 16%
Energy: 11%
Instrumentalness: 1%
Liveness: 67%
Loudness: 65%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
La traviata / Act 3: Prelude	Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado	A♭ Major	0	4B	135 BPM
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B♭ Major	0	6B	82 BPM
Carmen Suite No. 1: 3. Intermezzo	Georges Bizet, Orchestre de Paris, Semyon Bychkov	B♭ Major	0	6B	74 BPM
4 Letzte Lieder, TrV 296: No. 4, Im Abendrot	Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur	B♭ Major	1	6B	78 BPM
Symphony No. 3 in D Minor, WAB 103 (1873 Version): III. Scherzo. Ziemlich schnell – Trio. Gleiches Zeitmaß – Scherzo da capo	Anton Bruckner, Berliner Philharmoniker, Herbert Blomstedt	F Major	2	7B	136 BPM
Recueil de chants, Op. 65: No. 6, Barcarolle	Charles-Valentin Alkan, Bruce Liu	G Minor	0	6A	70 BPM
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro	Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	86 BPM
Strauss, R: 4 Letzte Lieder: No. 2, September	Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin	D Major	1	10B	70 BPM
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"	Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti	B Minor	1	10A	93 BPM
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings)	Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	B Minor	1	10A	87 BPM
Macbeth, Act III: Ballet Music	Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado	F Major	1	7B	102 BPM
Scheherazade: The Sea & Sinbad's Ship	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Major	1	12B	82 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
Fauré: Pavane, Op. 50	Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas	F♯ Minor	0	11A	62 BPM
La Mer, L.109: 2. Play of the Waves (Jeux de vagues)	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	E Major	1	12B	113 BPM
Bach: Prelude in B minor, BWV 855a (Arr. by Alexander Siloti)	Johann Sebastian Bach, Khatia Buniatishvili	F♯ Major	0	2B	69 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto	Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg	A Major	0	11B	80 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	C Minor	0	5A	177 BPM
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano)	Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin	F Minor	1	4A	79 BPM
Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Licht überm See (Live)	Richard Strauss, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Dietrich Volle, Sebastian Weigle	B Major	2	1B	132 BPM
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen	Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur	D♭ Major	1	3B	82 BPM
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider	Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia	F Major	1	7B	65 BPM
Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro	Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt	F Minor	1	4A	128 BPM
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo	Johannes Brahms, Itzhak Perlman, Mstislav Rostropovich, Bernard Haitink, Royal Concertgebouw Orchestra	A Minor	2	8A	82 BPM