"Move Left" by Donald Rubinstein had its release date on April 24, 2020. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Move Left's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Paper Pieces for Keyboard". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Move Left's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Move Left by Donald Rubinstein having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Quick Death | Christopher Young | D♭ Minor | 3 | 12A | 153 BPM | ||
| A Witch Stole Sam | Mark Korven | G Major | 4 | 9B | 100 BPM | ||
| Suspiria - Narration | Goblin | D Minor | 7 | 7A | 120 BPM | ||
| Motum | Radoslaw Pallarz, Ensemble Memoria Tenere, Ulrike Becker | F Major | 0 | 7B | 117 BPM | ||
| Linger | Disasterpeace | B Major | 1 | 1B | 120 BPM | ||
| Générique - Mais ne nous délivrez pas du mal | Dominique Ney, Anne Germain | F Minor | 4 | 4A | 127 BPM | ||
| No Escape | Charles Bernstein | G Major | 5 | 9B | 134 BPM | ||
| Boo! | Wojciech Kilar | E Major | 2 | 12B | 76 BPM | ||
| The Dress Perspective (demonstration) | Cavern of Anti-Matter | B♭ Minor | 4 | 3A | 108 BPM | ||
| High and Low | Masaru Sato | C Major | 1 | 8B | 169 BPM | ||
| Daughters Of Darkness Opening | François de Roubaix | A♭ Major | 5 | 4B | 103 BPM | ||
| Trophies | Jason Hill | G Minor | 0 | 6A | 131 BPM | ||
| Morning After | Charles Bernstein | E♭ Major | 3 | 5B | 100 BPM | ||
| NYC Main Title | Roberto Donati | C Major | 6 | 8B | 116 BPM | ||
| The Dead Walk | John Harrison | C Major | 8 | 8B | 132 BPM | ||
| Candyman: Helen's Theme and More | Philip Glass, Michael Riesman | C Minor | 0 | 5A | 92 BPM | ||
| Cabala | Ataraxia, Mort Garson | A Minor | 4 | 8A | 67 BPM | ||
| For Cozy | Donald Rubinstein | D Minor | 1 | 7A | 111 BPM | ||
| Helen's Theme | Philip Glass, Michael Riesman, The Western Wind | C Minor | 1 | 5A | 82 BPM | ||
| Sisters | Jim Williams | F Major | 1 | 7B | 142 BPM | ||
| William and Thomasin | Mark Korven | D Minor | 1 | 7A | 72 BPM | ||
| House on Sorority Row (Main Title) | Richard Band | B♭ Major | 0 | 6B | 151 BPM | ||
| Closing Theme | Harry Manfredini | C Major | 3 | 8B | 144 BPM | ||
| Tenebrous | Marcus Fjellström | A♭ Major | 5 | 4B | 64 BPM | ||
| Party, Crash | Colin Stetson | B♭ Minor | 2 | 3A | 150 BPM |