Milan Rericha's ' "Enigma Variations, Op. 36: Nimrod" was released on its scheduled release date, June 27, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Widor, Elgar, Tchaikovsky, Mortimer: Clarinet Fantasy by Milan Rericha. The song's track number on the album is #2 out of 10 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. In terms of popularity, Enigma Variations, Op. 36: Nimrod is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Enigma Variations, Op. 36: Nimrod by Milan Rericha has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Enigma Variations, Op. 36: Nimrod being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concertpiece #2, Op. 12 | Vasily Brandt, Joshua Whitehouse, Joshua Whitehouse, Cornet And Trumpet, Gail Novak, Piano | F Minor | 1 | 4A | 99 BPM | ||
| Bourrée | Jirka Kadlec, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra | B♭ Major | 8 | 6B | 131 BPM | ||
| Solitaire (Arr. Ted Parson) | Marc Reift Orchestra, Milan Rericha | B♭ Major | 4 | 6B | 80 BPM | ||
| El Pasodoble y Olé! - Arr. for Trumpet and Salon Orchestra | Enrique Crespo, Matthias Höfs, Hamburg Philharmonic Soloists | D Minor | 3 | 7A | 115 BPM | ||
| Aram Khachaturian: Waltz Masquerade | Progress Chamber Orchestra, Paweł Nowak | G Major | 2 | 9B | 67 BPM | ||
| Melody in F, Op. 3: No. 1. (Inspired by Anton Rubinstein) | Jirka Kadlec, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra | B♭ Major | 6 | 6B | 121 BPM | ||
| Clarinet Trio in A Minor, Op. 114: II. Adagio | Johannes Brahms, Milan Rericha, Nikolay Shugaev, Fatima Rericha Alieva | D Major | 1 | 10B | 137 BPM | ||
| Malapou-Galopp, Op. 148 | Joseph Lanner, Willi Boskovsky, The Boskovsky Ensemble | F♯ Major | 0 | 2B | 93 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | ||
| Triglav, Op. 72 | Julius Fučík, Tschechische Philharmonie, Václav Neumann | G Major | 5 | 9B | 122 BPM | ||
| Die Göttin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 110 BPM | ||
| Andante et allegretto | Guillaume Balay, Ryan Gardner, Charity Wicks | E Major | 1 | 12B | 102 BPM | ||
| Hummel: Trumpet Concerto In E Flat - Ii Andante | Johann Nepomuk Hummel, Tine Thing Helseth | A♭ Major | 1 | 4B | 92 BPM | ||
| Saltatio Diabolica | Philharmonic Wind Orchestra, Milan Rericha | C Minor | 4 | 5A | 145 BPM | ||
| "Der Schwan" für Flügelhorn und Harfe | Bavarian Brass | A♭ Major | 0 | 4B | 109 BPM | ||
| Danny Boy | Jirka Kadlec, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra | C Major | 4 | 8B | 77 BPM | ||
| Fantasia No. 5 “Winds of the Unknown” | Armando Gutierrez de Velasco Schmidt, Armando Gutierrez de Velazco Schmidt, Armando GDV Schmidt | F♯ Major | 7 | 2B | 145 BPM | ||
| Arban: Variations on the Carnival of Venice | Jean-Baptiste Arban, Sergei Nakariakov, Alexander Markovich | E♭ Major | 1 | 5B | 123 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| That Mesmerizing Mendelssohn Tune (studio) | Ian Whitcomb, The White Star Orchestra | E♭ Major | 2 | 5B | 122 BPM | ||
| Festliche Ouvertüre in A Major, Op.96 - Arr. for Brass Band by Albert Wieder | Thomas Gansch Blasmusik Supergroup | A♭ Major | 4 | 4B | 154 BPM | ||
| Clarinet Concerto: I. Allegro | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Major | 2 | 11B | 128 BPM | ||
| Indiana - Arr. by Jirka Kadlec | James Frederic Hanley, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra | F Major | 8 | 7B | 201 BPM | ||
| Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: II. Idylle | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | B♭ Major | 1 | 6B | 166 BPM | ||
| Freiheits-Marsch Op. 226 | Johann Strauss I, Jack Rothstein, Viennese Orchestra of London | D Major | 5 | 10B | 100 BPM |