Sight Unscene's 'Left Asking Why' had a release date set for March 9, 2020. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Sight Unscene". In this album, this song's track order is #9. Left Asking Why is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Left Asking Why by Sight Unscene having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Disillusion | Living Machines | B Minor | 9 | 10A | 150 BPM | ||
| Into the Night | City State | F Major | 9 | 7B | 100 BPM | ||
| Line in the Sand | Relentless 3 | B♭ Minor | 9 | 3A | 138 BPM | ||
| Asphyxiate | Sight Unscene | D♭ Minor | 2 | 12A | 120 BPM | ||
| MONOMANIA | The Word Alive | F Major | 9 | 7B | 149 BPM | ||
| Let It Die | Everyone Loves A Villain | E Minor | 8 | 9A | 140 BPM | ||
| Light Blue | Vitja | B Minor | 10 | 10A | 165 BPM | ||
| No Longer Broken | ALPHAMEGA | B♭ Minor | 9 | 3A | 160 BPM | ||
| SUFFOCATE | Execution Day | A♭ Major | 9 | 4B | 137 BPM | ||
| Blinded | As I Lay Dying | A♭ Major | 10 | 4B | 200 BPM | ||
| MONSTER | Wake Up Hate | B Major | 9 | 1B | 100 BPM | ||
| Lost in the Grey | Miss May I | B♭ Major | 9 | 6B | 165 BPM | ||
| Wounds Are Gold | Elyne | A♭ Major | 10 | 4B | 180 BPM | ||
| Taste of Regret | Of Mice & Men | D♭ Minor | 9 | 12A | 125 BPM | ||
| No Way | Sylar | A♭ Major | 9 | 4B | 188 BPM | ||
| Carry the Weight | We Came As Romans | D♭ Major | 10 | 3B | 127 BPM | ||
| Bridges Burned | Tattoo the Scars | A♭ Major | 10 | 4B | 166 BPM | ||
| More Than Just Myself | SION | G Major | 9 | 9B | 100 BPM | ||
| The Toll | Saul | E♭ Minor | 9 | 2A | 117 BPM | ||
| Iremia | So It Begins | B♭ Major | 10 | 6B | 82 BPM | ||
| Anywhere but Here | Eximious | F Minor | 8 | 4A | 87 BPM | ||
| White Noise | Archetypes Collide | D♭ Minor | 9 | 12A | 170 BPM | ||
| Why Am I Like This? | The Word Alive | D Major | 9 | 10B | 175 BPM | ||
| ESCAPE | Execution Day | E♭ Minor | 10 | 2A | 118 BPM | ||
| Requiem | City State | D Major | 8 | 10B | 200 BPM |