George E. Lewis, George Lewis, Douglas Ewart, Mary Oliver, Peter Gonzales III, Jeannie Cheatham, Bernard Mixon's ' "Changing with The Times: II." was released on its scheduled release date, January 1, 1993. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George E. Lewis, George Lewis's "George Lewis: Changing With the Times" album is number 7 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Changing with The Times: II. is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Changing with The Times: II. by George E. Lewis, George Lewis, Douglas Ewart, Mary Oliver, Peter Gonzales III, Jeannie Cheatham, Bernard Mixon to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Music for 18 Musicians: Section II | Steve Reich, Colin Currie, Colin Currie Group, Synergy Vocals | A Major | 2 | 11B | 100 BPM | ||
| Turangalîla-Symphonie: I. Introduction | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | B Major | 4 | 1B | 152 BPM | ||
| Color Field: I. Yellow | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Void Pulse | Astrid Voix | D Major | 1 | 10B | 72 BPM | ||
| Vidimus Stellam: II. Rorate Caeli | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | A Major | 1 | 11B | 74 BPM | ||
| The Garden Path: No. 3, Withered Leaves | Alec Roth, Martha McLorinan, Sacconi Quartet | D Major | 1 | 10B | 72 BPM | ||
| Somebody's Leg Man | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 1 | 5A | 116 BPM | ||
| Ochre: I. Siderite | Caroline Shaw, The Crossing, Donald Nally, Dan Schwartz | D Major | 1 | 10B | 128 BPM | ||
| Les chansons des roses: V. Dirait-on | Morten Lauridsen, Polyphony, Stephen Layton | D♭ Major | 0 | 3B | 132 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Crying sun | Quirine van Hoek | D Major | 1 | 10B | 72 BPM | ||
| King David (Arr. Farrington for Mixed Choir & Piano) | Herbert Howells, IKON, David Hill, Iain Farrington | G Major | 1 | 9B | 128 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Where Her Eye Sits | George E. Lewis, Prism Quartet, Tony Arnold | D Minor | 1 | 7A | 73 BPM | ||
| Brass Sextet: I. Hymn | Philip Glass, The London Gabrieli Brass Ensemble, Christopher Larkin | D Major | 0 | 10B | 133 BPM | ||
| Guard My Tongue | Julia Wolfe, Ars Nova Copenhagen, Paul Hillier | D Minor | 1 | 7A | 79 BPM | ||
| Charles Villiers Stanford: The blue bird | Lumen Valo | F♯ Major | 0 | 2B | 171 BPM | ||
| Add It | Oscap | C Major | 1 | 8B | 132 BPM | ||
| Shadow | Anja Lechner, François Couturier | D♭ Major | 0 | 3B | 88 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | D Major | 1 | 10B | 72 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto | Dmitri Shostakovich, Cuarteto Casals | D Major | 1 | 10B | 72 BPM | ||
| Lakes, Mists, Bats, Daggers and Fountains: IV. Always light and airy | Laurence Osborn, 12 Ensemble | D Major | 1 | 10B | 72 BPM | ||
| A Boy Was Born, Op. 3: Corpus Christi Carol (arr. for lute by Jonas Nordberg) | Benjamin Britten, Ruby Hughes, Jonas Nordberg | D Major | 1 | 10B | 72 BPM | ||
| Aurora Flame | Nuit | F♯ Minor | 8 | 11A | 129 BPM | ||
| con slancio | Heinz Holliger | D Major | 1 | 10B | 72 BPM |