John K. Samson's 'Taps Reversed' had a release date set for January 24, 2012. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Provincial". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Taps Reversed is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Taps Reversed by John K. Samson having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How It Gets In (feat. Julien Baker) | Frightened Rabbit, Julien Baker | A Major | 6 | 11B | 99 BPM | ||
| The Last And | John K. Samson | B Major | 2 | 1B | 149 BPM | ||
| Pale Green Things - 2025 Remaster | The Mountain Goats | C Major | 2 | 8B | 72 BPM | ||
| Sleep All Summer | Crooked Fingers | A Major | 4 | 11B | 103 BPM | ||
| Maryland Bridge | John K. Samson | B Minor | 4 | 10A | 76 BPM | ||
| Constellation | Jim Bryson, The Weakerthans | B Major | 4 | 1B | 123 BPM | ||
| Bright Cloud | Nana Grizol | F♯ Major | 7 | 2B | 107 BPM | ||
| Kansas City | Okkervil River | E Minor | 5 | 9A | 120 BPM | ||
| Shirtless in Hamburg | The Mountain Goats | D♭ Major | 1 | 3B | 117 BPM | ||
| Stop Error | John K. Samson | A Minor | 1 | 8A | 164 BPM | ||
| Post-War Blues | Dan Mangan | D Major | 9 | 10B | 160 BPM | ||
| You Missed My Heart | Mark Kozelek & Jimmy LaValle | F Major | 2 | 7B | 92 BPM | ||
| 21st Century | Ian Felice | F Major | 9 | 7B | 141 BPM | ||
| Cakewalk | The Snake The Cross The Crown | F Major | 4 | 7B | 87 BPM | ||
| Strange Negotiations | David Bazan | E Minor | 3 | 9A | 128 BPM | ||
| If All I Thought Were True | Attack in Black | B♭ Major | 2 | 6B | 115 BPM | ||
| Grace | Clem Snide, Eef Barzelay | D Major | 4 | 10B | 82 BPM | ||
| Lost My Shape | David Bazan | D♭ Major | 1 | 3B | 109 BPM | ||
| 17th Street Treatment Centre | John K. Samson | B♭ Major | 2 | 6B | 127 BPM | ||
| Wild Rosemarie | Ezra Furman & The Harpoons | E Major | 3 | 12B | 115 BPM | ||
| Empire Builder | Typhoon | A♭ Major | 6 | 4B | 135 BPM | ||
| sickness | Whispergun | C Major | 4 | 8B | 84 BPM | ||
| The Temptation of Adam | Josh Ritter | E Major | 3 | 12B | 101 BPM | ||
| Baltimore | The Extra Glenns | D Major | 6 | 10B | 107 BPM | ||
| Chemicals Collide | Cloud Cult | D Major | 5 | 10B | 144 BPM |