"A Short While To Be Here... - I. Whoa, Mule!" by Colin Jacobsen, Brooklyn Rider had its release date on May 23, 2025. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. A Short While To Be Here... - I. Whoa, Mule!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The Four Elements". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, A Short While To Be Here... - I. Whoa, Mule! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Short While To Be Here... - I. Whoa, Mule! by Colin Jacobsen, Brooklyn Rider having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| LULLABY TO ETERNITY / Alice Sara Ott: Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa") | Alice Sara Ott | D Minor | 0 | 7A | 82 BPM | ||
| In einem kühlen Grunde | Traditional, Martin Stadtfeld | C Major | 2 | 8B | 184 BPM | ||
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (c) Variation II | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM | ||
| Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": I. Allegro | Joseph Haydn, Quatuor Arod | D Minor | 1 | 7A | 136 BPM | ||
| Sapphische Ode | Johannes Brahms, Jungin Huh | D Major | 1 | 10B | 74 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 3: Dido's Lament (Arr. Diluka for Piano) | Henry Purcell, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
| Vaughan Williams: 6 Studies in English Folk-Song: No. 1, Adagio | David Parkhouse, Eileen Croxford | A Minor | 1 | 8A | 92 BPM | ||
| Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | D♭ Major | 2 | 3B | 73 BPM | ||
| Kodály: Intermezzo for String Trio | Zoltán Kodály, Domus | D Minor | 1 | 7A | 88 BPM | ||
| Piano Quintet in A Major, D. 667 "Trout Quintet": IV. Theme – Andantino – Vars. 1-5 – Allegretto | Franz Schubert, Mari Samuelsen, Karolina Errera, Alexander Kovalev, Otto Tolonen, Julien Quentin | C Minor | 3 | 5A | 145 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
| Musica serena | Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 65 BPM | ||
| A Short While To Be Here... - III. Peep Squirrel | Colin Jacobsen, Brooklyn Rider | C Major | 0 | 8B | 109 BPM | ||
| Suite from "Le nozze di Figaro", K. 492 (Arr. for String Quartet by Jan Vogler): No. 1 Introduzione: "Fünfe, zehne, zwanzig" | Wolfgang Amadeus Mozart, Jan Vogler | D Major | 1 | 10B | 71 BPM | ||
| I | Sammy Weissberg, Samuel Weissberg | D♭ Major | 2 | 3B | 73 BPM | ||
| Ornament and Crime: III. Ornament III | Bryce Dessner, Tim Fain | G Minor | 1 | 6A | 132 BPM | ||
| Les Illuminations, Op. 18: IX. Départ | Benjamin Britten, Nicholas Phan, Eric Jacobsen, The Knights | B♭ Major | 1 | 6B | 129 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | D♭ Major | 2 | 3B | 73 BPM | ||
| Now Found Is The Fairest Of Roses (Arr. For String Quartet) | Traditional, Danish String Quartet | G Major | 0 | 9B | 96 BPM | ||
| Sollima: Marcia | Gautier Capuçon, Capucelli | D Major | 1 | 10B | 104 BPM | ||
| Noodle | Lucia Capellaro | D♭ Major | 1 | 3B | 78 BPM | ||
| Arabesque. Op. 18 in C Major - Duo-Art 5591 | Robert Schumann, Marguerite Volavy, Peter Phillips | C Major | 0 | 8B | 94 BPM | ||
| Romance sans paroles - After Étude No. 26 by Montgeroult, Arr. for Fortepiano and Strings by Mathieu Lussier | Hélène de Montgeroult, Arion Orchestre Baroque, Mathieu Lussier | G Major | 1 | 9B | 72 BPM | ||
| Pärt: Für Lennart in memoriam | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Minor | 2 | 7A | 80 BPM |