Stop Calling Me At Work - Original Mix
Jed Stemp, Brady
Stop Calling Me At Work
8:15 September 23, 2011
BPM
127
Key
G Major
Camelot
9B

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Stop Calling Me At Work - Original Mix by Jed Stemp, Brady Song Details

Jed Stemp, Brady's 'Stop Calling Me At Work - Original Mix' had a release date set for September 23, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Stop Calling Me At Work only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Stop Calling Me At Work - Original Mix's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With Stop Calling Me At Work - Original Mix by Jed Stemp, Brady having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.242 dB
Acousticness
1%
Danceability
79%
Energy
75%
Instrumentalness
72%
Liveness
10%
Loudness
91%
Speechiness
4%
Valence
22%

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ISRC
GBH5X1000054
Label
L-M Records/RCA Records