On April 1, 1966, the song "Era Sukher Lagi Chahe Prem" was released by Rabindranath Tagore. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 4 in the song's album "Sakal Raser Dhara,Vol. 3". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. In terms of popularity, Era Sukher Lagi Chahe Prem is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Era Sukher Lagi Chahe Prem by Rabindranath Tagore having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mone Pore Ruby Roy | Miftah Zaman | F Major | 5 | 7B | 146 BPM | ||
| Ay Tobe Sohochori | Somlata Acharya | F♯ Minor | 4 | 11A | 110 BPM | ||
| Kyamone Chinibo Tomare | Pousali Banerjee | F♯ Major | 4 | 2B | 105 BPM | ||
| Kalo Jwole Kuchla Tole | Rishi Panda | A Major | 5 | 11B | 105 BPM | ||
| Monohor | Hatirpool Sessions | B Minor | 7 | 10A | 93 BPM | ||
| Gaanwala | Kabir Suman | D Major | 3 | 10B | 80 BPM | ||
| Ami Tarei Boli | Hemanta Mukhopadhyay | B Major | 3 | 1B | 67 BPM | ||
| Shawkaatore Oi - From "Padatik" | Sahana Bajpai, Debayan Banerjee, Rabindranath Tagore | C Major | 4 | 8B | 84 BPM | ||
| Moyna Balo Tumi | Asha Bhosle | D Major | 4 | 10B | 146 BPM | ||
| O Amar Desher Mati | Srikanta Acharya, Rabindranath Tagore | F Minor | 3 | 4A | 77 BPM | ||
| Hey Madhabi - Instrumental | Rabindranath Tagore | G Major | 2 | 9B | 132 BPM | ||
| Modhur Tomar Sesh Je Na Pai | Suchitra Mitra | G Major | 6 | 9B | 137 BPM | ||
| Mone Pore Ruby Roy | R. D. Burman | A Minor | 4 | 8A | 109 BPM | ||
| Dariye Achho Tumi | Subhamita | F♯ Major | 2 | 2B | 82 BPM | ||
| Bhenge Mor Ghorer Chabi | Mekhla Dasgupta | D♭ Major | 6 | 3B | 108 BPM | ||
| Ore Chitrarekhadore - Dialogue | Indranil Sen, Rabindranath Tagore | A♭ Major | 2 | 4B | 82 BPM | ||
| Uttoroto Jana | Kabir Suman | D♭ Major | 4 | 3B | 105 BPM | ||
| Kader Kuler Bou | Bhoomi | A♭ Major | 5 | 4B | 120 BPM | ||
| O Dayal Bichar Karo | Akhil Bandhu Ghosh | E♭ Major | 4 | 5B | 159 BPM | ||
| Bande Mataram | Dilip Kumar Roy, M. S. Subbulakshmi, Rabindranath Tagore | A♭ Major | 2 | 4B | 176 BPM | ||
| Tumi Sondhyaro Meghomala - From "Achena Uttam" | Durnibar Saha | A Major | 4 | 11B | 131 BPM | ||
| Bhorer Shishir | Kaushiki Chakraborty, Aditi Munshi | A Major | 5 | 11B | 132 BPM | ||
| Eshe Hirok Deshe | Anup Ghoshal | D♭ Major | 4 | 3B | 153 BPM | ||
| Dekhechi Rupsagore | Anirban Sikdar | F♯ Major | 5 | 2B | 75 BPM | ||
| Eki Labonye Purno Prane | Lagnajita Chakraborty | C Major | 2 | 8B | 140 BPM |