El Trini, Rafael García's 'Debla: Cante' had a release date set for 2000. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Debla: Cante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 9 in Escuela de Flamenco: Cantes Libres (Cristina Hoyos Present) by El Trini. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Debla: Cante is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Debla: Cante by El Trini, Rafael García is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bulerias de Triana | Triana Pura | D♭ Major | 9 | 3B | 115 BPM | ||
| Esquilones de Plata - Bulerías | Porrina de Badajoz | G Major | 8 | 9B | 158 BPM | ||
| Mis Recuerdos al Barrrio Santiago | Ezequiel Benítez | D♭ Minor | 5 | 12A | 136 BPM | ||
| Pincharelo | Chiqui de Jerez | D Major | 8 | 10B | 100 BPM | ||
| Lola Montes (Bulerías) | Antonio Mairena, Esteban de Sanlúcar | E Major | 2 | 12B | 87 BPM | ||
| Te Quiero, Te Quiero | Guadiana | B Minor | 4 | 10A | 99 BPM | ||
| La calle de Alcalá (Caracoles) | Gema Caballero | F♯ Major | 5 | 2B | 112 BPM | ||
| Colombianas: Cante y Guitarra | El Trini, Victor M. Rosa | F Major | 7 | 7B | 115 BPM | ||
| Personas Reales | Marina Heredia | A Major | 6 | 11B | 160 BPM | ||
| A Las Claritas del Dia (feat. Eduardo de la Malena) - Fandangos natural | El Cabrero, Eduardo De La Malena | F♯ Major | 4 | 2B | 113 BPM | ||
| Vámonos pa' Sevilla - Bulería No. 1 | Fernando De La Morena, Moraíto | D Major | 7 | 10B | 123 BPM | ||
| Sevillanas: Rápida (Cante y Guitarra) | El Trini, Victor M. Rosa | E Minor | 7 | 9A | 180 BPM | ||
| Me Ahoga El Silencio (Soleá) | Morenito De Illora | F Minor | 3 | 4A | 135 BPM | ||
| Con la sonrisa en los labios - Fandangos y bulerías al golpe | Antonio Cortés, José Maya | B Minor | 4 | 10A | 113 BPM | ||
| En mi patio | Paco Cepero | G Major | 6 | 9B | 99 BPM | ||
| Te Señalan Con el Dedo | Pepe Pinto | F♯ Major | 4 | 2B | 90 BPM | ||
| La Puertecita Donde Yo Me Arrimo (Tangos) | Jesús Méndez, Manuel Parrila | F Minor | 5 | 4A | 177 BPM | ||
| Colombianas | Curro Malena, Moraíto | A Major | 5 | 11B | 94 BPM | ||
| Entre tus Manos | Nono Jero, Maloko Soto, Joselete Mushogitano, Dolores de Perikin, Manuela Fernandez, Jesule Grande | D Major | 7 | 10B | 84 BPM | ||
| Que Bonito Es el Fandango | Macarena de la Torre, Sandra Carrasco, Yolanda Sousa, Sebastian Cruz, Ramón Jesús Díaz | A♭ Major | 6 | 4B | 138 BPM | ||
| Flamencura | Manuel Lombo, Pedro el Granaino | F♯ Major | 5 | 2B | 135 BPM | ||
| Yo soy como quién yo sé (Bulería) | Curro Malena, Rogelio Conesa, Quique Paredes | F♯ Major | 4 | 2B | 108 BPM | ||
| Tardes Grises de Invierno | Melchora Ortega | A♭ Major | 4 | 4B | 99 BPM | ||
| Bulerías de las Calles de Jerez | El Sordera | E♭ Minor | 7 | 2A | 124 BPM | ||
| Cantando mi Sufrimiento (Soleá Apolá) | Samuel Serrano | B♭ Minor | 3 | 3A | 114 BPM |