"Rising Ancients" by Brian Tuey had its release date on September 3, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 30 in the song's album "Origins (Original Game Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Rising Ancients's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rising Ancients by Brian Tuey having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Robot Getaway | Sophus Alf, Troels Rohde Jørgensen | D♭ Major | 4 | 3B | 85 BPM | ||
| D4mned (From “Call of Duty: Black Ops 4”) | Brian Tuey | G Major | 9 | 9B | 180 BPM | ||
| The Bio-Terrorist Threat | Nathan Johnson | F Minor | 9 | 4A | 146 BPM | ||
| GACK | Brandon McKagan | A Minor | 9 | 8A | 140 BPM | ||
| Alone (From “Call of Duty: Black Ops Cold War - Die Maschine”) | Kevin Sherwood, Clark S. Nova | C Major | 10 | 8B | 90 BPM | ||
| Wotan Goes Beast Mode | Finishing Move Inc., Borderlands Music | C Major | 8 | 8B | 140 BPM | ||
| Revenant | Stephen Barton | D♭ Major | 4 | 3B | 90 BPM | ||
| Brothers Dead, Only Kahl | Keith Power, Digital Extremes Ltd., Matthew Chalmers | B Major | 9 | 1B | 180 BPM | ||
| Main Title | Inon Zur, Fallout | D Minor | 5 | 7A | 124 BPM | ||
| March of the Moa | Keith Power | G Major | 8 | 9B | 200 BPM | ||
| Give 'em Hell-A | Ryan Leo Williams | E Major | 9 | 12B | 176 BPM | ||
| Mind As Universe | 505 Games, We Are Magonia | E Minor | 9 | 9A | 120 BPM | ||
| Subject 106 | Brandon McKagan | D♭ Major | 9 | 3B | 111 BPM | ||
| Chimera 02 | Olivier Deriviere | D Major | 9 | 10B | 152 BPM | ||
| Code of Conduct | Hans Zimmer | D Major | 7 | 10B | 96 BPM | ||
| Contact With You | Kota Hoshino | B Minor | 8 | 10A | 86 BPM | ||
| Te Lu Ska | Tori Letzler | B♭ Minor | 9 | 3A | 120 BPM | ||
| Dead Flowers (From “Call of Duty: Black Ops 3 - Zetsubou No Shima”) | Kevin Sherwood, James McCawley, Malukah | F Minor | 7 | 4A | 120 BPM | ||
| Runaway | Pawel Blaszczak | F Major | 2 | 7B | 170 BPM | ||
| Blood Trail | Michel F. April | A Major | 6 | 11B | 190 BPM | ||
| 6_idkill.Vega.Cih | Mick Gordon, Chris Hite | D Major | 2 | 10B | 79 BPM | ||
| Kybernetik | Mick Gordon, Richard Coleman Devine | D Major | 7 | 10B | 118 BPM | ||
| Nemesis' Theme | Masami Ueda | D Major | 1 | 10B | 111 BPM | ||
| He Is out There | Finishing Move Inc. | E♭ Minor | 5 | 2A | 108 BPM | ||
| The Following | Pawel Blaszczak | G Major | 2 | 9B | 95 BPM |