Henry Purcell, Régis Chenut's 'Ground in Gamut' had a release date set for 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Régis Chenut's "L'art de la harpe celtique" album is number 16 out of 18. In terms of popularity, Ground in Gamut is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ground in Gamut by Henry Purcell, Régis Chenut to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Première Suite: Prélude | Jordi Savall, Ton Koopman, Ariane Maurette | F Major | 0 | 7B | 80 BPM | ||
| Timon of Athens, Masque: Curtain Tune on a Ground | Henry Purcell, Richard Hickox, Collegium Musicum 90 | F♯ Minor | 1 | 11A | 125 BPM | ||
| Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, David Reichenberg, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 68 BPM | ||
| Pergolesi: Stabat Mater: VI. Vidit suum dulcem Natum | Giovanni Battista Pergolesi, Diego Fasolis, I Barocchisti, Julia Lezhneva | E Minor | 1 | 9A | 64 BPM | ||
| Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
| Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
| La divisione del Mondo: Aria "Occhi miei si dormire" | Giovanni Legrenzi, Théotime Langlois de Swarte, Le Consort | B♭ Minor | 1 | 3A | 173 BPM | ||
| If ever I more riches did desire, Z. 544 | Henry Purcell, Nils Brown, Paul Grindlay, Meredith Hall, Gillian Keith, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 60 BPM | ||
| Purcell: Abdelazer, Z. 570: II. Rondeau | Henry Purcell, Andrew Parrott, Taverner Players | D♭ Minor | 1 | 12A | 101 BPM | ||
| Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
| Miserere, ZWV 57: III. Gloria Patri I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Gunhild Alsvik, Javier Ulises Illán | A Major | 1 | 11B | 69 BPM | ||
| Requiem in C Minor, MH 559: Kyrie | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | C Minor | 2 | 5A | 78 BPM | ||
| Armide Opera In 5 Acts With Prologue: Passacaille | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 119 BPM | ||
| The Indian Queen, Z. 630 : Act II - The Masque Of Fame And Envy: Symphony | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | B Major | 1 | 1B | 112 BPM | ||
| Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
| Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
| Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
| Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
| Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
| Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
| Polifemo, HelN 31: Placidetti zeffiretti. Duo - Arr. for Voice & Piano | Nicola Porpora, Théophile Alexandre, Guillaume Vincent, Marion Tassou | A♭ Minor | 2 | 1A | 97 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM | ||
| Concerto in D Minor, for Two Violas da Gamba - "Tango": I. Allegro ostinato | René Duchiffre, Apollo's Fire, Jeannette Sorrell | D♭ Minor | 2 | 12A | 81 BPM | ||
| Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
| Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Alison Balsom, Balsom Ensemble | D♭ Major | 3 | 3B | 101 BPM |