Pulp's ' "I Want You - 2012 Remastered" was released on its scheduled release date, May 1, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 21 in Freaks (2012 Remastered) by Pulp. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, I Want You - 2012 Remastered is currently average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of I Want You - 2012 Remastered by Pulp is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Moon | The Microphones | G Major | 7 | 9B | 150 BPM | ||
| Nowhere Near | Yo La Tengo | A Major | 2 | 11B | 81 BPM | ||
| Go Away | Strawberry Switchblade | B Minor | 6 | 10A | 122 BPM | ||
| Virgin Veins | Coma Cinema | E♭ Major | 5 | 5B | 140 BPM | ||
| The Killing Moon - BBC Evening Session January 15, 1997 | Pavement | C Major | 8 | 8B | 102 BPM | ||
| Call It Fate, Call It Karma | The Strokes | E Minor | 2 | 9A | 109 BPM | ||
| This Love Is Fucking Right! | The Pains Of Being Pure At Heart | A Major | 9 | 11B | 165 BPM | ||
| Acrylic Afternoons | Pulp | A Minor | 7 | 8A | 143 BPM | ||
| Never as Tired as When I'm Waking Up | LCD Soundsystem | D Major | 5 | 10B | 126 BPM | ||
| Show Girl | The Auteurs | D Major | 4 | 10B | 143 BPM | ||
| Nothing to Be Done | The Pastels | A Major | 9 | 11B | 142 BPM | ||
| Piledriver waltz | Alex Turner | D♭ Major | 7 | 3B | 106 BPM | ||
| Metal Baby | Teenage Fanclub | B♭ Major | 7 | 6B | 122 BPM | ||
| Grace Cathedral Park | Red House Painters | C Major | 4 | 8B | 152 BPM | ||
| Crushed | Cocteau Twins | F Major | 6 | 7B | 100 BPM | ||
| Schizophrenia | Sonic Youth | D Major | 7 | 10B | 135 BPM | ||
| Blue Flower | Mazzy Star | D Major | 6 | 10B | 102 BPM | ||
| We Could Walk Together | The Clientele | F Minor | 7 | 4A | 112 BPM | ||
| Sleep | Longpigs | E Major | 0 | 12B | 105 BPM | ||
| Permanent Daylight | Radiohead | D Major | 7 | 10B | 139 BPM | ||
| Half Right | Heatmiser | G Major | 5 | 9B | 89 BPM | ||
| Some Kinda Angel | Mojave 3 | C Major | 6 | 8B | 91 BPM | ||
| Love | The Sundays | G Major | 8 | 9B | 188 BPM | ||
| Nothing Came Out | The Moldy Peaches | A Minor | 3 | 8A | 77 BPM | ||
| You Should All Be Murdered | Another Sunny Day | F Major | 9 | 7B | 159 BPM |