"The Phone Call - Cry Freedom/Soundtrack Version" by George Fenton had its release date on January 1, 1987. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. The Phone Call - Cry Freedom/Soundtrack Version's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 18 in Cry Freedom by George Fenton. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Phone Call - Cry Freedom/Soundtrack Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Phone Call - Cry Freedom/Soundtrack Version by George Fenton is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hufflepuff Common Room | J Scott Rakozy, Hogwarts Legacy | E Minor | 1 | 9A | 131 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| Colin Opens His Eyes - From "The Secret Garden" | Zbigniew Preisner | F♯ Major | 1 | 2B | 136 BPM | ||
| Beatrix & Norman | Nigel Westlake | F Major | 1 | 7B | 142 BPM | ||
| I Missed You | James Shearman, Nick Ingman | E♭ Major | 1 | 5B | 78 BPM | ||
| The Ruins | George Fenton | D Major | 0 | 10B | 66 BPM | ||
| Banquet | Naoki”naotyu-”Chiba | A♭ Major | 1 | 4B | 178 BPM | ||
| All's Well That End's Well | Christian Henson | B Major | 1 | 1B | 135 BPM | ||
| What's Your Dream? | Mark McKenzie | G Major | 1 | 9B | 93 BPM | ||
| The O'Hara Family | Max Steiner | F Major | 2 | 7B | 102 BPM | ||
| Your Hands Are Cold - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | D Major | 0 | 10B | 143 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| We Will Never Know | Mario Malagnini | E Minor | 1 | 9A | 71 BPM | ||
| The Cave Of Swimmers | Academy of St. Martin in the Fields, Gabriel Yared | C Major | 2 | 8B | 87 BPM | ||
| A Dream Is a Wish Your Heart Makes - Instrumental Version | Mack David, Al Hoffman, Jerry Livingston | E Major | 1 | 12B | 82 BPM | ||
| Because of Me | Brian Tyler | F♯ Minor | 1 | 11A | 169 BPM | ||
| I Was In Vancouver | George Fenton | E Major | 1 | 12B | 120 BPM | ||
| Frank Churchill Arrives (From "Emma" 1996 Film) | An Eligible Quartet | G Major | 1 | 9B | 120 BPM | ||
| Walking Through The Garden | Zbigniew Preisner | G Major | 1 | 9B | 70 BPM | ||
| Shakespeare In Love: End Credits - From "Shakespeare In Love" | Stephen Warbeck | F♯ Major | 1 | 2B | 120 BPM | ||
| Books Are Cocktails | George Fenton | C Major | 1 | 8B | 61 BPM | ||
| Bag Of Bones | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| A Perfect Wedding Day | Randy Edelman | A♭ Major | 2 | 4B | 119 BPM | ||
| Elizabeth's Dance | Guy Farley | F Major | 2 | 7B | 97 BPM | ||
| The Girls And The Prince And The Painting | George Fenton | D♭ Major | 1 | 3B | 62 BPM |