Validuaté's ' "Eu Te Considerava Tanto" was released on its scheduled release date, January 26, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 5 in Este Lado para Cima by Validuaté. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Eu Te Considerava Tanto is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Eu Te Considerava Tanto by Validuaté is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Apenas Seguindo | Alvora | B♭ Major | 7 | 6B | 170 BPM | ||
| Promessa | Plinio PB | D♭ Major | 5 | 3B | 105 BPM | ||
| Fantasma | Florais Da Terra Quente | E♭ Major | 5 | 5B | 113 BPM | ||
| Modelo Adequado | Versalle | D Minor | 8 | 7A | 136 BPM | ||
| Adeus | Móveis Coloniais de Acaju | C Major | 7 | 8B | 115 BPM | ||
| Cartas Paraná | Ellefante | A Major | 3 | 11B | 111 BPM | ||
| Mudanças | Sonja | A Minor | 4 | 8A | 128 BPM | ||
| Pra Onde Devo Ir? | Rubens Müller | D Major | 4 | 10B | 136 BPM | ||
| O Homem Que O Futuro Esqueceu | Rodrigo Alessandro Brasileiro | A Major | 1 | 11B | 95 BPM | ||
| Calor (aquela do purê) | Gu Nogueira | D Major | 5 | 10B | 108 BPM | ||
| Esperança | Casaca | G Major | 7 | 9B | 108 BPM | ||
| NÃO GRITE, NÃO! | Anderson Oliveira | A♭ Major | 5 | 4B | 94 BPM | ||
| Última Esperança | André Prando | A♭ Minor | 7 | 1A | 184 BPM | ||
| Mãe Sampa | Paulo Vieira, Tulipa Ruiz | F Major | 3 | 7B | 132 BPM | ||
| No Mesmo Tom | Tuca Oliveira | A♭ Major | 5 | 4B | 140 BPM | ||
| A Sete Chaves | Maglore | A♭ Major | 8 | 4B | 185 BPM | ||
| Mesmo Quando a Boca Cala | Vinícius Calderoni | G Major | 3 | 9B | 123 BPM | ||
| Céu de Cimento e Cal | Versos Que Compomos Na Estrada | G Major | 2 | 9B | 83 BPM | ||
| Mar de Lampiões | Pedro Bouzada | F♯ Major | 5 | 2B | 144 BPM | ||
| Cálido Inverno | André Loyola | G Major | 4 | 9B | 183 BPM | ||
| Desamor (Éden) | Ciro Visconti | A♭ Major | 2 | 4B | 200 BPM | ||
| Quando Você Dança | Pipa | D Minor | 7 | 7A | 142 BPM | ||
| Ovelinha | Cabelinho | E Major | 6 | 12B | 142 BPM | ||
| De bar em bar | Yan Navarro | F Major | 3 | 7B | 111 BPM | ||
| Bem-Me-Leve | Apanhador Só | G Major | 6 | 9B | 105 BPM |