The Mills Brothers's ' "Paper Doll" was released on its scheduled release date, January 1, 1948. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Paper Doll's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Souvenir Album". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of Paper Doll is currently below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Paper Doll by The Mills Brothers having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Someday (You'll Want Me To Want You) | The Mills Brothers | A♭ Major | 0 | 4B | 96 BPM | ||
| It Had To Be You | Betty Hutton, Robert Norberg | B♭ Minor | 1 | 3A | 97 BPM | ||
| I_m Stepping Out With A Memory Tonight | Jimmy Dorsey | F Minor | 2 | 4A | 114 BPM | ||
| Breezin' Along with the Breeze | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| I Like It Better All The Time | Martha Tilton | A♭ Major | 2 | 4B | 134 BPM | ||
| It Was a Lover and His Lass | Maxine Sullivan | B♭ Major | 0 | 6B | 108 BPM | ||
| Breezin' Along With The Breeze | The Four Lads | F Major | 5 | 7B | 127 BPM | ||
| The Angels Cried | Martha Tilton, Hubert "Bumps" Myers, The Mellowaires | F♯ Major | 1 | 2B | 93 BPM | ||
| Crazy 'Bout Ya Baby | The Crew Cuts | C Major | 4 | 8B | 91 BPM | ||
| She's a Rainbow | Jesse O'Mahoney, Theo Golding | B♭ Major | 2 | 6B | 99 BPM | ||
| You Belong To Me | Jo Stafford | F Major | 1 | 7B | 69 BPM | ||
| Ballerina | Buddy Clark | B♭ Major | 1 | 6B | 135 BPM | ||
| Doctor, Lawyer, Indian Chief | Betty Hutton | A♭ Major | 3 | 4B | 176 BPM | ||
| These Foolish Things | Carroll Gibbons, The Savoy Hotel Orpheans | A♭ Major | 3 | 4B | 130 BPM | ||
| (There'll Be Bluebirds Over) The White Cliffs Of Dover | Kay Kyser & His Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Would I Love You (Love You, Love You) | Patti Page | D♭ Major | 2 | 3B | 91 BPM | ||
| Mairzy Doats | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| Shadow Waltz | Rudy Vallee and His Connecticut Yankees | D Major | 4 | 10B | 145 BPM | ||
| Till We Meet Again | The Mills Brothers | A♭ Major | 0 | 4B | 108 BPM | ||
| I've Been Drafted (Now I'm Drafting You) | Chuck Foster | F Minor | 4 | 4A | 95 BPM | ||
| Managua, Nicaragua | Freddy Martin & His Orchestra | D Major | 4 | 10B | 145 BPM | ||
| Same Old Moon | Rudy Vallee and His Connecticut Yankees | D Major | 4 | 10B | 145 BPM | ||
| Honeysuckle Rose | Fats Waller | F Major | 2 | 7B | 155 BPM | ||
| Please Don't Talk About Me When I'm Gone | The Mills Brothers, Tommy Dorsey | E Minor | 1 | 9A | 114 BPM | ||
| Ain't Missbehavin' | Fats Waller | C Minor | 3 | 5A | 98 BPM |