Gordy Haab's ' "An Unexpected Reunion" was released on its scheduled release date, December 6, 2024. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. An Unexpected Reunion's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gordy Haab's "Indiana Jones and the Great Circle (Original Video Game Soundtrack)" album is number 22 out of 37. On top of that, United States appears to be the country where this track was created. In terms of popularity, An Unexpected Reunion is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of An Unexpected Reunion by Gordy Haab to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lady Claire / De Kere Attacks - Suite | Brian Tyler | E Minor | 1 | 9A | 54 BPM | ||
| Waterhole & Tarbosaurus | Kara Talve, Anže Rozman | C Minor | 1 | 5A | 120 BPM | ||
| First Rescue | William Ross | B♭ Minor | 1 | 3A | 80 BPM | ||
| Permission to Land, Commander | Antonio Gradanti, Interleave | G Minor | 2 | 6A | 121 BPM | ||
| Infiltrate | Gigi Meroni | E♭ Major | 5 | 5B | 93 BPM | ||
| Meet the IMF | Joe Kraemer | A Minor | 1 | 8A | 90 BPM | ||
| Maria | Behruz Qarayev, Bixpat | D♭ Major | 1 | 3B | 90 BPM | ||
| Ebon Hawk Damaged | Mark Griskey | D♭ Minor | 2 | 12A | 66 BPM | ||
| The Enemy Below | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| Predator Fight, Royce Runs | John Debney | D♭ Minor | 3 | 12A | 59 BPM | ||
| The Battle of Kimera | Benjamin Botkin, Angel | A Major | 6 | 11B | 120 BPM | ||
| The Catacomb | Gordy Haab | G Minor | 4 | 6A | 105 BPM | ||
| Snow Job - from A View To A Kill | Rich Douglas | E Minor | 1 | 9A | 54 BPM | ||
| Promise the Girl | Halo, Paul Lipson, Lennie Moore, Tom Salta, Brian Trifon, Brian Lee White | E♭ Major | 1 | 5B | 133 BPM | ||
| Follow That Nun | Gordy Haab | E♭ Major | 2 | 5B | 76 BPM | ||
| Follow the Signal | Curtis Schweitzer | F Major | 6 | 7B | 102 BPM | ||
| The Southern Underground | Joel McNeely, Royal Scottish National Orchestra, Royal Scottish National Orchestra and Chorus | A Major | 0 | 11B | 91 BPM | ||
| Iron and Oil (Original Game Soundtrack) | Adam Skorupa, Krzysztof Wierzynkiewicz, Michal Cielecki | D♭ Major | 1 | 3B | 63 BPM | ||
| Meet the Remnants | Bobby Tahouri | C Minor | 3 | 5A | 140 BPM | ||
| Diferencias Estrechas | Hasta El Final | A Minor | 3 | 8A | 108 BPM | ||
| 強敵との交戦 | 木村華 | D♭ Major | 6 | 3B | 138 BPM | ||
| Dreamy | Stephan Bark, Humanix | A♭ Major | 1 | 4B | 80 BPM | ||
| Stromwell Sees Joey - From The Episode "It's Never Too Late" | Lolita Ritmanis | C Major | 0 | 8B | 124 BPM | ||
| The James Bond Theme - Orchestra Version | Rich Douglas | E Minor | 1 | 9A | 54 BPM | ||
| Bail and Leia | Natalie Holt | D Major | 8 | 10B | 94 BPM |