Craig Hella Johnson, Matt Shepard, Conspirare's 'Considering Matthew Shepard, Prologue: No. 2, Ordinary Boy' had a release date set for September 9, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Craig Hella Johnson, Conspirare's "Johnson: Considering Matthew Shepard" album is number 2 out of 33. On top of that, United States appears to be the country where this track was created. Considering Matthew Shepard, Prologue: No. 2, Ordinary Boy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Considering Matthew Shepard, Prologue: No. 2, Ordinary Boy by Craig Hella Johnson, Matt Shepard, Conspirare to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The House of Belonging: The House of Belonging | Shara Nova, Conspirare, Savannah Porter, Michael Jones, Craig Hella Johnson | B♭ Minor | 1 | 3A | 76 BPM | ||
| Fall (Arr. for 2 Voices & Choir by Nicolas Nipp) | Chloe Bailey, Halle Bailey, The Portland State University Chamber Choir, Ethan Sperry, Katie Manullang, Mercy Hallman | D Major | 4 | 10B | 102 BPM | ||
| The Ground | Ola Gjeilo, Tenebrae, The Chamber Orchestra Of London | E♭ Major | 1 | 5B | 82 BPM | ||
| Locus Iste | Paul Mealor, VOCES8 | E♭ Major | 0 | 5B | 127 BPM | ||
| To Touch the Sky: To Touch the Sky: III. The Fruit of Silence | Kevin Puts, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 110 BPM | ||
| Do Not Be Afraid | Philip Stopford, Truro Cathedral Choir, Christopher Gray | D Major | 0 | 10B | 78 BPM | ||
| Wie lieblich sind deine Wohnungen | Johannes Brahms, Sonoro, Michael Higgins, Neil Ferris | F♯ Major | 2 | 2B | 84 BPM | ||
| Measure Me, Sky! | Elaine Hagenberg, Tallgrass Chamber Choir, Jacob Narverud | B♭ Major | 2 | 6B | 135 BPM | ||
| God is Gone Up | Gerald Finzi, Choir of St. John's College, Cambridge, Andrew Nethsingha | E Major | 2 | 12B | 82 BPM | ||
| Path of Miracles: Path of Miracles: III. Leon | Joby Talbot, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 75 BPM | ||
| Colonial Song | Percy Grainger, Slovak Radio Symphony Orchestra | E Major | 1 | 12B | 72 BPM | ||
| Sunday | Bernadette Peters, Sondheim: A Celebration at Carnegie Hall Ensemble (1992) | G Major | 1 | 9B | 59 BPM | ||
| Dona nobis pacem: Agnus Dei | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | G Minor | 1 | 6A | 83 BPM | ||
| Considering Matthew Shepard, Passion: No. 15, We Are All Sons (Part 1) | Craig Hella Johnson, Michael Dennis Browne, Conspirare | E Major | 0 | 12B | 136 BPM | ||
| Triptych: II. As We Remember Them | Tarik O'Regan, Craig Hella Johnson, Conspirare | C Minor | 0 | 5A | 82 BPM | ||
| Voice of Oceans | Daniel Bondaczuk, Amber Maxwell, Greg Nelson, Phillip Keveren | A♭ Major | 2 | 4B | 75 BPM | ||
| Jubilate Deo: IV. Ngokujabula! | Rivertree Singers Festival Chorus, Rivertree Singers, Warren Cook | C Major | 6 | 8B | 96 BPM | ||
| On Wenlock Edge: Bredon Hill | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Duke Quartet | G Minor | 0 | 6A | 83 BPM | ||
| Songbird - Upper Voices | Sarah Quartel, The Oxford Choir | C Major | 0 | 8B | 87 BPM | ||
| Considering Matthew Shepard, Passion: No. 7, The Fence (That Night) | Craig Hella Johnson, Lesléa Newman, Hildegard von Bingen, Conspirare | D Minor | 1 | 7A | 104 BPM | ||
| The Ecstasies Above: I. | Tarik O'Regan, Craig Hella Johnson, Conspirare | G Minor | 0 | 6A | 132 BPM | ||
| How Little You Are: No. 1, We Washed Our Faces at the Spring | Nico Muhly, Estelí Gomez, Laura Mercado-Wright, Steven Soph, Conspirare, Los Angeles Guitar Quartet, Texas Guitar Quartet, Austin Guitar Quartet, Craig Hella Johnson | E Major | 1 | 12B | 108 BPM | ||
| Messa di Requiem: Libera Me | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | A Minor | 0 | 8A | 69 BPM | ||
| Nocturnes: III. Sure On This Shining Night (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 105 BPM | ||
| Requiem, Op. 9: II. Kyrie | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 70 BPM |