Christopher Haigh's ' "High Tatra" was released on its scheduled release date, June 18, 1998. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. High Tatra's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christopher Haigh, Susan Burton's "Klezmania" album is number 17 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, High Tatra's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of High Tatra by Christopher Haigh to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In the Next Life | Christopher Haigh, Gothic Storm | F Major | 1 | 7B | 65 BPM | ||
| Persephone | Future Heroes | A Minor | 5 | 8A | 120 BPM | ||
| Lost Horizons | Joseph William Morgan | A♭ Major | 3 | 4B | 109 BPM | ||
| Accordance | PostHaste Music | G Minor | 6 | 6A | 123 BPM | ||
| Glass Feedback | Johan Svensson | D Major | 3 | 10B | 133 BPM | ||
| Boundless Glory | Harry Lightfoot | B Major | 8 | 1B | 72 BPM | ||
| Calling All The Stars | Trailer Bros, Sonic Symphony, Franck Barré | F Major | 4 | 7B | 160 BPM | ||
| Sensitive Inspiration | Onoychenko | A Minor | 4 | 8A | 180 BPM | ||
| Always (Dumbledore's Farewell) from Harry Potter and Half Blood Prince pt. II | Cinematic Fusion | A Minor | 3 | 8A | 111 BPM | ||
| Celestial Tempest | Darren Leigh Purkiss, Christopher Haigh | G Major | 6 | 9B | 121 BPM | ||
| Maypole Dance | Christopher Haigh | D Major | 3 | 10B | 130 BPM | ||
| They Arrive | Alan Mayer | G Minor | 7 | 6A | 90 BPM | ||
| Spirit Awakened | Universal Production Music | D Minor | 4 | 7A | 97 BPM | ||
| Blended | Eldar Dadashov, Edmelody | B Minor | 2 | 10A | 74 BPM | ||
| Halcyon Rush | Cosmic Drift | B Minor | 4 | 10A | 120 BPM | ||
| Evolutionary Development | Moritz Bintig, Joachim Tospann | D Minor | 7 | 7A | 120 BPM | ||
| We Will End This Fight | Chroma Music | C Minor | 6 | 5A | 144 BPM | ||
| Never Fade Away | Philipp Klein | G Minor | 5 | 6A | 117 BPM | ||
| Risen | Dustin Krizan, EpicMusicVn, Aeralie Brighton | A Major | 3 | 11B | 68 BPM | ||
| A Sacrifice to Save You | Efisio Cross | G Minor | 5 | 6A | 80 BPM | ||
| Skyline | Kári Sigurðsson | F Minor | 6 | 4A | 160 BPM | ||
| Simulation | Fred Bouchal | E Minor | 3 | 9A | 100 BPM | ||
| Loved Beyond Measure | InfraSound Music | F♯ Minor | 5 | 11A | 98 BPM | ||
| Re: 86 Eighty-Six (4N) | 赤い神Enryu | A Minor | 5 | 8A | 126 BPM | ||
| Epic Adventures | Alex Besss | E Minor | 6 | 9A | 110 BPM |