"Felicidade (arr.; Roland Dyens)" by Takuya Okamoto had its release date on 2018. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Sete Aneis". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Japan. In terms of popularity, Felicidade (arr.; Roland Dyens) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Felicidade (arr.; Roland Dyens) by Takuya Okamoto having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rincones Interiores IV. Coll Blanc | Eduardo Martín, Laura Verdugo del Rey | C Major | 1 | 8B | 165 BPM | ||
| コンポステラ組曲 / III. ゆりかご | Federico Mompou, 山下 和仁 | A Major | 3 | 11B | 86 BPM | ||
| Hommage à Piazzolla | Roberto Aussel | E♭ Major | 0 | 5B | 78 BPM | ||
| Tarantas - Remastered | Gonzalo Ortega | D♭ Minor | 2 | 12A | 126 BPM | ||
| Danza del Viento | Mirta Alvarez | E Minor | 0 | 9A | 98 BPM | ||
| Etudes, Op. 60: Study No. 21, Andantino | Matteo Carcassi, Tariq Harb | A Major | 3 | 11B | 90 BPM | ||
| Dowland: Lachrimae Antiquae Pavan, P. 15 | John Dowland, Oscar Caceres | D Major | 1 | 10B | 146 BPM | ||
| Suite in A minor: Gigue | Israel Golani | A♭ Minor | 0 | 1A | 96 BPM | ||
| Preludio: Pensando a Fauré | Maurizio Baudino | B Minor | 0 | 10A | 73 BPM | ||
| Purcell: Minuet in A Minor, Z. 649 (Arr. for Guitar) | Henry Purcell, Konrad Ragossnig | C Major | 2 | 8B | 161 BPM | ||
| Rumba à Gatelle | David Tutmark | A Minor | 4 | 8A | 81 BPM | ||
| 16 Waltzes, Op. 39: No. 8 in B-Flat Major (Arr. A. Segovia) | Johannes Brahms, Andrés Segovia | E Major | 1 | 12B | 85 BPM | ||
| Contreras: Pastillaneando | José Contreras, Eliot Fisk | B♭ Major | 3 | 6B | 96 BPM | ||
| Guitar Sonata in A Major, Op. 29, No. 2: I. Allegro moderato (arr. J. Bream for guitar) | Anton Diabelli, Park Kyuhee | G Minor | 2 | 6A | 131 BPM | ||
| Sulle ottave | Maurizio Baudino | E Major | 1 | 12B | 70 BPM | ||
| Mélodie d'Autrefois | Alexandre Tansman, Kazuhito Yamashita | A Major | 0 | 11B | 144 BPM | ||
| Fantasia IX in B minor for solo violin TWV 4022 | Pablo Menéndez | D Major | 1 | 10B | 174 BPM | ||
| Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): I. Confuseta | Maximo Diego Pujol, Ricardo Cobo | E Minor | 1 | 9A | 154 BPM | ||
| Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
| Sagreras: Tremolo Study No. 4, Book 3 | Tariq Harb | E Minor | 3 | 9A | 130 BPM | ||
| Songs of the Hebrides: The Rune of Columcill (Columba of Iona) [arr. P. Galbraith] | Marjorie Kennedy-Fraser, Paul Galbraith | B♭ Major | 2 | 6B | 69 BPM | ||
| Chaconne des Scaramouches, Frivelins et Arlequins | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| De Visée: Livre de pièces pour la guitare, Suite No. 11 en si mineur: I. Prélude | Manuel Barrueco | B Minor | 1 | 10A | 112 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 1 | 8A | 175 BPM | ||
| Songs Without Words: Weary | Madame Sidney Pratten, Heike Matthiesen | D Major | 1 | 10B | 131 BPM |