David Hirschfelder's 'You Never Came Back for Me' had a release date set for November 15, 2015. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Dressmaker (Original Motion Picture Soundtrack)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. You Never Came Back for Me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With You Never Came Back for Me by David Hirschfelder having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Basslinefield | Velora | A♭ Major | 1 | 4B | 85 BPM | ||
| L'Asbence | Polerik Rouvière | E♭ Major | 0 | 5B | 135 BPM | ||
| La Quête | Polerik Rouvière | E♭ Major | 0 | 5B | 135 BPM | ||
| The Pool | Johannes Ringen | F Minor | 1 | 4A | 120 BPM | ||
| Boldwood Variation | Craig Armstrong | A Minor | 2 | 8A | 59 BPM | ||
| The Woman | David Arnold, Michael Price | D Major | 1 | 10B | 86 BPM | ||
| Monologues | Joel P West | E♭ Major | 0 | 5B | 135 BPM | ||
| The Sacred River | David Hirschfelder | A Minor | 3 | 8A | 84 BPM | ||
| A Happy Child | Harry Gregson-Williams, Rupert Gregson-Williams | G Major | 0 | 9B | 103 BPM | ||
| Basilwether Hall | Daniel Pemberton | C Minor | 2 | 5A | 144 BPM | ||
| Muriel’s Future | Mark Orton | E♭ Minor | 1 | 2A | 96 BPM | ||
| Avresti Dovuto Essere Tu | Paolo Buonvino | A Major | 2 | 11B | 84 BPM | ||
| Mildred Pierce Opening Titles | Carter Burwell | D Minor | 1 | 7A | 73 BPM | ||
| The Siren Calls | Michael Abels | E Minor | 2 | 9A | 134 BPM | ||
| I'm So Sorry | Mac Quayle | E♭ Major | 0 | 5B | 135 BPM | ||
| It Was Always Tate - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | E Minor | 1 | 9A | 98 BPM | ||
| Ashes In The Air | Joe Wong | C Major | 4 | 8B | 120 BPM | ||
| La Disparue - Troisième reprise | Polerik Rouvière | E♭ Major | 0 | 5B | 135 BPM | ||
| Something The Matter | Hannes De Maeyer, Ruben de Gheselle | E Minor | 0 | 9A | 68 BPM | ||
| 悲凉(影视剧《玉茗茶骨》 配乐) | 杨阔 | E♭ Major | 0 | 5B | 135 BPM | ||
| For Yim | Danke Timi Briggs | G Minor | 3 | 6A | 151 BPM | ||
| Fashion Was Everything | David Schweitzer | A♭ Major | 3 | 4B | 95 BPM | ||
| The Dressmaker Opening Titles | David Hirschfelder | G Minor | 2 | 6A | 93 BPM | ||
| The Confederacy Of The Humbled | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| Secrets and Earrings | Guy Farley | G Minor | 2 | 6A | 165 BPM |