Paul Taylor's 'Open Road' had a release date set for March 18, 2014. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Tenacity (Deluxe Edition)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Open Road is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Open Road by Paul Taylor having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Can't Help Myself | The Sax Pack | F Minor | 7 | 4A | 113 BPM | ||
| Sweet Love | Najee | B♭ Minor | 4 | 3A | 186 BPM | ||
| Smooth Operator | Greg Adams | F Minor | 5 | 4A | 111 BPM | ||
| Don't Go (feat. Wendy Moten) | Michael Lington, Wendy Moten | B♭ Major | 7 | 6B | 85 BPM | ||
| Human Touch | James Doyle, Paul Taylor | C Minor | 5 | 5A | 125 BPM | ||
| Runaway | Paul Taylor | D♭ Minor | 8 | 12A | 98 BPM | ||
| Grass Roots | Joyce Cooling | D Major | 5 | 10B | 115 BPM | ||
| Back To Love | Jeff Kashiwa | A♭ Minor | 6 | 1A | 98 BPM | ||
| Highland Park | Joe McBride | D♭ Minor | 6 | 12A | 92 BPM | ||
| Groovin' J | Jacob Webb | B♭ Minor | 7 | 3A | 103 BPM | ||
| Style and Elegance | JJ Sansaverino | C Major | 6 | 8B | 108 BPM | ||
| The Weekend | Nicholas Cole | G Minor | 6 | 6A | 192 BPM | ||
| Lasting Impression | James Vargas | D Minor | 6 | 7A | 91 BPM | ||
| Just As You Are | Everette Harp | D♭ Major | 7 | 3B | 204 BPM | ||
| Kisses in the Rain | Rick Braun | F Minor | 6 | 4A | 95 BPM | ||
| Embrace | Jeff Ryan | A♭ Major | 6 | 4B | 80 BPM | ||
| Ready to Go - Radio Mix | Threestyle, Magdalena Chovancova | E Minor | 8 | 9A | 100 BPM | ||
| Expression | Joyce Cooling | F Minor | 8 | 4A | 120 BPM | ||
| At Midnight | Bob Mamet | G Minor | 7 | 6A | 100 BPM | ||
| Kiss and Tell | LeBron | C Major | 5 | 8B | 140 BPM | ||
| Never Enough | Lisa Addeo | C Minor | 5 | 5A | 94 BPM | ||
| An Evening In Dallas | Joe McBride | C Major | 8 | 8B | 97 BPM | ||
| After The Storm | Norman Brown | A Major | 6 | 11B | 78 BPM | ||
| Streamline | Paul Taylor | F Minor | 7 | 4A | 113 BPM | ||
| The East from the West | Paul Jackson, Jr. | B Minor | 5 | 10A | 122 BPM |