On July 10, 2007, the song "Suffer the Kids" was released by Broadway Calls. Suffer the Kids is 2 minutes and 12 seconds long and may contain bad words that may be unsuitable for children. The song is number 4 out of 14 in Broadway Calls by Broadway Calls. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Suffer the Kids is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Suffer the Kids by Broadway Calls is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Live in Hell | Dear Landlord | D Major | 10 | 10B | 125 BPM | ||
| Mean Streak | American Steel | B♭ Major | 8 | 6B | 125 BPM | ||
| Best Year | Broadway Calls | A♭ Major | 10 | 4B | 125 BPM | ||
| Park Bench | Dear Landlord | G Major | 10 | 9B | 130 BPM | ||
| Coming After You | Broadway Calls | A Major | 9 | 11B | 130 BPM | ||
| This One's on Me | I Am The Avalanche | G Major | 10 | 9B | 187 BPM | ||
| You Can't Sexy Dance to Punk Rock | The Riot Before | G Major | 8 | 9B | 155 BPM | ||
| Single White Female | The Movielife | E Major | 9 | 12B | 100 BPM | ||
| Keep Your Distance | Home Grown | E♭ Major | 10 | 5B | 154 BPM | ||
| Basement Royalty | Broadway Calls | F Major | 6 | 7B | 155 BPM | ||
| Red, White, And Blues | The Menzingers | C Major | 9 | 8B | 171 BPM | ||
| Bank of Elevators | Direct Hit! | B Major | 10 | 1B | 167 BPM | ||
| The Inquirer | The Loved Ones | E Major | 10 | 12B | 97 BPM | ||
| Manic Heart Disease | Hit The Switch | D♭ Major | 10 | 3B | 95 BPM | ||
| Maple Boy | No Trigger | A♭ Major | 10 | 4B | 179 BPM | ||
| Intransit | The Lawrence Arms | B Minor | 9 | 10A | 99 BPM | ||
| Lassies Last Dance | Daggermouth | A♭ Major | 9 | 4B | 105 BPM | ||
| You'd Make a Good Horsecop | The Dopamines | B Major | 10 | 1B | 102 BPM | ||
| At The End | Broadway Calls | D♭ Major | 7 | 3B | 110 BPM | ||
| Ode to the North American Snake Oil Distributor | Dillinger Four | A♭ Major | 10 | 4B | 105 BPM | ||
| What a Time to Be Barely Alive | Arms Aloft | B Major | 10 | 1B | 102 BPM | ||
| As 'twere the Mirror | Polar Bear Club | F♯ Minor | 9 | 11A | 145 BPM | ||
| He's A Good Sposato (I Love Ya Blue-Blue) | Latterman | F Major | 9 | 7B | 96 BPM | ||
| To The Sheets | Broadway Calls | C Major | 5 | 8B | 163 BPM | ||
| You Suck,! But Your Peanut Butter Is Ok | None More Black | F♯ Major | 9 | 2B | 91 BPM |