Armondo Machado, António Rocha's 'So Pode Ser Amor' had a release date set for 1996. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Tears of Lisbon - Portugese Fado". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, So Pode Ser Amor's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With So Pode Ser Amor by Armondo Machado, António Rocha having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vou dar de beber à dor | Amália Rodrigues | D Major | 4 | 10B | 87 BPM | ||
| O teu olhar | Rodrigo Costa Felix, Marta Pereira da Costa, Pedro Pinhal, Rodrigo Serrao | A Major | 4 | 11B | 165 BPM | ||
| Bairro Alto | Carlos Do Carmo | E Major | 2 | 12B | 127 BPM | ||
| Bairros de Lisboa | Alfredo Marceneiro | D Minor | 1 | 7A | 118 BPM | ||
| Partida | Rodrigo Costa Felix, Marta Pereira da Costa, Pedro Pinhal, Rodrigo Serrao | D Minor | 2 | 7A | 85 BPM | ||
| Milagre de Santo António | Vicente da Câmara | A Minor | 1 | 8A | 111 BPM | ||
| Casa Encantada | Marta Pereira da Costa, Rui Veloso | A Minor | 3 | 8A | 114 BPM | ||
| Divino Fado | Maria Da Fé | C Minor | 2 | 5A | 77 BPM | ||
| Mansarda | João Ferreira Rosa | E Major | 4 | 12B | 122 BPM | ||
| Rapsódia de Fados | Conjunto de Guitarras de Raúl Nery, Raul Nery, Jose Fontes Rocha, Julio Gomes, Joel Pina | E Minor | 2 | 9A | 96 BPM | ||
| Igreja de Stº Estevão | Fernando Mauricio | D Minor | 1 | 7A | 118 BPM | ||
| O Fado que me Traga | Ana Laíns | D Major | 5 | 10B | 96 BPM | ||
| Desfado | Ana Moura | D Major | 6 | 10B | 120 BPM | ||
| Porque | Francisco Fanhais | C Minor | 1 | 5A | 95 BPM | ||
| Um Hino À Vida | António Rocha | G Major | 3 | 9B | 91 BPM | ||
| Lisboa é sempre Lisboa | Tristão Da Silva | D♭ Minor | 6 | 12A | 89 BPM | ||
| Marcha 'em Fá | Ricardo Silva | E♭ Major | 7 | 5B | 118 BPM | ||
| Rosas / Promessa | Katia Guerreiro | D Minor | 2 | 7A | 81 BPM | ||
| Fado da Surpesa | Inês de Vasconcellos | A Major | 2 | 11B | 89 BPM | ||
| E o lenço a dizer adeus | Frei Hermano Da Câmara | E Minor | 5 | 9A | 103 BPM | ||
| Negue | Maria Da Fé | F♯ Minor | 1 | 11A | 83 BPM | ||
| Fogo Preso | Mísia | D Minor | 3 | 7A | 111 BPM | ||
| Não Sou Fadista De Raça | Teresa Tarouca | A♭ Major | 4 | 4B | 135 BPM | ||
| Campino De Portugal | Fernando Farinha | E Minor | 4 | 9A | 119 BPM | ||
| O Padeiro, Pt.2 | Criatura, Coro dos Anjos | D Minor | 3 | 7A | 108 BPM |