Samuel Wesley, Choir of King's College, Cambridge, Sir David Willcocks's 'Psalm 61: Hear my crying, O God [unaccomp.] - 1989 Remastered Version' had a release date set for 1989. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Psalm 61: Hear my crying, O God [unaccomp.] - 1989 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Psalms of David - 1". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Psalm 61: Hear my crying, O God [unaccomp.] - 1989 Remastered Version is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 61: Hear my crying, O God [unaccomp.] - 1989 Remastered Version by Samuel Wesley, Choir of King's College, Cambridge, Sir David Willcocks having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| i carry your heart with me | Taylor Scott Davis, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | D Major | 2 | 10B | 95 BPM | ||
| The Lord Is My Light | Margaret Rizza | D Major | 1 | 10B | 76 BPM | ||
| When Jesus, Through Faith, Is My Savior SHZ 549 | Laestadian Lutheran Church, Viena Kontkanen, Kaitlyn Huhta, Ashley Niemela, Marianna Saulamaa, Liisa Keranen | C Minor | 2 | 5A | 94 BPM | ||
| My Song in the Night | The Concordia Choir | B Minor | 0 | 10A | 90 BPM | ||
| All Gifts That We Receive, Lord SHZ 251 | Laestadian Lutheran Church, Laurel Loukusa, Kaitlyn Huhta, Jake Muhonen | G Major | 1 | 9B | 148 BPM | ||
| O Saviour of the World | John Goss, Choir of Clare College, Cambridge, Timothy Brown | A♭ Major | 0 | 4B | 134 BPM | ||
| Psalm 149: O sing unto the Lord - 1989 Remastered Version | Thomas William Hanforth, Choir of King's College, Cambridge, Sir David Willcocks | F Major | 2 | 7B | 75 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Cloudburst | Eric Whitacre, Adrian Kirtley, 2022 Chamber, Timber Creek HS Chamber | G Major | 1 | 9B | 93 BPM | ||
| Again the Lord Reminds Us SHZ 195 | Laestadian Lutheran Church, Liisa Keranen, Viena Kontkanen, Sheldon Ylioja | F Minor | 1 | 4A | 87 BPM | ||
| The Bread of Life: Our Father | Bob Chilcott, Wellensian Consort, Christopher Finch | A♭ Major | 0 | 4B | 75 BPM | ||
| Come, Risen Lord | Leo Sowerby, William Ferris Chorale, William Ferris | B♭ Major | 2 | 6B | 65 BPM | ||
| Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM | ||
| Mass in D Major, Op. 86: IV. Sanctus | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | ||
| All Glory, Laud and honour (Tune, St. Theodulph) | Melchior Teschner, Choir of King's College, Cambridge, Richard Farnes, Stephen Cleobury | D♭ Major | 2 | 3B | 99 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Hymn of the Pearl | Kevin Anthony, BYU Singers, Andrew Crane | D Major | 2 | 10B | 95 BPM | ||
| The Crucifixion: Chorus. The Appeal of the Crucified | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | E Major | 0 | 12B | 122 BPM | ||
| All my hope on God is founded (Michael: A Fanfare Setting) | Choir of King's College, Cambridge, Stephen Cleobury, The Wallace Collection, Benjamin Bayl | F Major | 2 | 7B | 75 BPM | ||
| Stabat Mater (Arr. for Choir by Edward Elgar) | Anonymous, The Chapel Choir of the Royal Hospital Chelsea, William Vann | D Major | 2 | 10B | 95 BPM | ||
| Psalm 28 "Unto Thee Will I Cry, O Lord, My Strength" | David Halls, Frederick Ouseley, Salisbury Cathedral Choir, Daniel Cook | A Major | 2 | 11B | 111 BPM | ||
| Holy Spirit Mass: Blessed | Kim André Arnesen, Mona Spigseth, Alex Robson, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 2 | 6B | 58 BPM | ||
| Wake, Awake, for Night Is Flying | The Concordia Choir, René Clausen | C Major | 2 | 8B | 83 BPM | ||
| All shall be Amen and Alleluia | James Whitbourn, Westminster Williamson Voices, Jacob Ezzo, Jonathan Palmer Lakeland, Ken Cowan, James Jordan | C Major | 2 | 8B | 75 BPM |