"Amen" by Thomas Newman had its release date on January 1, 2011. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "The Help (Original Motion Picture Score)". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. Amen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Amen by Thomas Newman having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wonders Of An Ancient Glory - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 59 BPM | ||
| Spotting the Herd | John Barry | D♭ Minor | 1 | 12A | 77 BPM | ||
| Sun Inside | Antonio Pinto | A Minor | 1 | 8A | 114 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Brideshead Revisited: No. 9, Faith | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Privy Council | Martin Phipps | D♭ Major | 0 | 3B | 92 BPM | ||
| Guitar Lullaby | Mark Mancina | C Major | 0 | 8B | 104 BPM | ||
| Baby Alessandra | Christophe Beck | F Major | 1 | 7B | 102 BPM | ||
| I Do Nothing Every Day | Geoff Zanelli, Jon Brion | G Major | 1 | 9B | 74 BPM | ||
| Expansion Project | Samuel Sim | D♭ Major | 2 | 3B | 166 BPM | ||
| I Will Come for You | David Hirschfelder | F Major | 3 | 7B | 89 BPM | ||
| Bedtime Story | Harald Kloser | D Minor | 0 | 7A | 62 BPM | ||
| Dad's Advice | William Ross | D♭ Major | 0 | 3B | 137 BPM | ||
| The Whirling Ways of Stars that Pass | Jóhann Jóhannsson | E Minor | 1 | 9A | 102 BPM | ||
| The Lost Child Orchestral Suite | Mark McKenzie | D Major | 1 | 10B | 68 BPM | ||
| Rescued from the Gypsies | Samuel Sim | G Major | 1 | 9B | 151 BPM | ||
| Wish I Could Spend The Day With You | Mychael Danna, Jeff Danna | E Major | 0 | 12B | 75 BPM | ||
| To Be Apart (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | G Minor | 1 | 6A | 154 BPM | ||
| Calvary Theme | Patrick Cassidy | B♭ Major | 1 | 6B | 75 BPM | ||
| Life Near The Surface | George Fenton | B Minor | 2 | 10A | 66 BPM | ||
| We'll Be #1 | William Ross | B♭ Major | 1 | 6B | 122 BPM | ||
| Opening Day | William Ross | D Major | 2 | 10B | 102 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Without Suspicion | Samuel Sim | E Minor | 1 | 9A | 78 BPM | ||
| Uncle Albert | Thomas Newman | C Major | 2 | 8B | 209 BPM |