Rana Farhan's 'Slave to the Moment' had a release date set for January 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rana Farhan's "Moon and Stone" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. The popularity of Slave to the Moment is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Slave to the Moment by Rana Farhan to be Presto (very, very fast) because the track has a tempo of 179 BPM, a half-time of 90BPM, and a double-time of 358 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bitarbiat | Kiosk | C Major | 9 | 8B | 88 BPM | ||
| Cheshmhaye Tameshki | Marjan Farsad | A Major | 3 | 11B | 112 BPM | ||
| Mibinamet Dobareh | Kiosk | B Minor | 7 | 10A | 96 BPM | ||
| In Majara - The Story | Pallett, Makan Ashgvari | G Minor | 3 | 6A | 179 BPM | ||
| Mah Pishanoo | Darya Dadvar | A Major | 4 | 11B | 100 BPM | ||
| Namehraboon | Bah Bah Quartet | B Minor | 7 | 10A | 105 BPM | ||
| Khaaliye Bi Payan | Reza Rohani, Sara Naeini | B Minor | 2 | 10A | 120 BPM | ||
| Delbar | Farzad Milani, Estive Avanesian | B♭ Minor | 6 | 3A | 90 BPM | ||
| Shabonah | Soheil Nafisi | B Minor | 3 | 10A | 150 BPM | ||
| Sarmasti | Mahmood Schricker, Eendo | E Minor | 8 | 9A | 98 BPM | ||
| Wind Is To Blame (feat. Jeremy Ylvisaker, Mike Lewis & Nima Hafezieh) | Aida Shahghasemi, Jeremy Ylvisaker, Mike Lewis, Nima Hafezieh | E Minor | 1 | 9A | 131 BPM | ||
| Rahaee | Sara Naeini | F♯ Minor | 6 | 11A | 130 BPM | ||
| Ham Avaz | Daal Band | F Minor | 2 | 4A | 150 BPM | ||
| Mahtab | B-Band | B Minor | 5 | 10A | 103 BPM | ||
| Gozare Ordibehesht | Daal Band | E Minor | 4 | 9A | 137 BPM | ||
| The Wave موج دل | Rana Farhan | D Major | 6 | 10B | 140 BPM | ||
| Ostekhoon | 127 | B♭ Minor | 7 | 3A | 143 BPM | ||
| Sigar Poshte Sigar | Reza Yazdani | A Minor | 3 | 8A | 170 BPM | ||
| Sorrow Was There Too | Sadra Imanpour | D Minor | 0 | 7A | 70 BPM | ||
| Fly Me To The Moon( Ba Man Bia Be Assemoon) | Tara Tiba | G Major | 2 | 9B | 138 BPM | ||
| Haleili | Mahsa Vahdat, Marjan Vahdat | F Minor | 3 | 4A | 141 BPM | ||
| Soghati | Marjan Farsad | F♯ Minor | 2 | 11A | 96 BPM | ||
| In Kherghe Biandaz | O-Hum | F Major | 10 | 7B | 122 BPM | ||
| Tanhaa Mippari | Ballgard | C Major | 6 | 8B | 118 BPM | ||
| Nazandeh Bala | Makan Ashgvari, Amir Saremi | G Major | 5 | 9B | 147 BPM |