Don Burrows, George Golla's ' "Errinho Atoa" was released on its scheduled release date, January 1, 1975. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The song is number 7 out of 12 in Duo by Don Burrows, George Golla. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Errinho Atoa is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Errinho Atoa by Don Burrows, George Golla is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teach Me Tonight | Ray Brown Trio | F Major | 2 | 7B | 111 BPM | ||
| Coffee After Midnight | Diner Express | D Minor | 2 | 7A | 128 BPM | ||
| The Daughter Live | John Gallegos | E♭ Major | 4 | 5B | 190 BPM | ||
| Crescendo in Reverse | Velvet Undertones | C Major | 2 | 8B | 116 BPM | ||
| Spanish Bay | Bill Edmonds Trio | G Major | 2 | 9B | 90 BPM | ||
| Emily | Eddie Daniels, Bucky Pizzarelli | D Minor | 1 | 7A | 49 BPM | ||
| Moonlight Becomes You | Tal Farlow | F Minor | 1 | 4A | 110 BPM | ||
| Graveyard Blues | Ian Cooper, Don Burrows | A♭ Major | 2 | 4B | 108 BPM | ||
| Hidden Frequencies | Loungeframe | G Major | 1 | 9B | 98 BPM | ||
| Crystal Silence | SE-Quartet, David Ehrlin, Rasmus H Thomsen, Krydda Sundström, Antti Ojala | A Minor | 1 | 8A | 109 BPM | ||
| Cedar | Julian Harrow Trio | G Major | 2 | 9B | 127 BPM | ||
| Noir Chime | Smooth Groove Atelier | F Minor | 5 | 4A | 94 BPM | ||
| Quiet Corner of an Empty Bar | James Miller | F Major | 1 | 7B | 109 BPM | ||
| Cannonball | Doctor 3, Danilo Rea | F Major | 1 | 7B | 79 BPM | ||
| There Will Never Be Another You | Tal Farlow | A♭ Major | 6 | 4B | 162 BPM | ||
| You Go To My Head | Tommy Flanagan Trio | E♭ Major | 1 | 5B | 77 BPM | ||
| Avalon | Ian Cooper, Don Burrows | A Minor | 3 | 8A | 132 BPM | ||
| A Lull at Dawn | The Trevor Richards New Orleans Trio, Evan Christopher, David Boeddinghaus | F♯ Major | 5 | 2B | 117 BPM | ||
| Poker Stand | Night Toy Orchestra | C Minor | 3 | 5A | 84 BPM | ||
| Billie's Bounce | Sonny Knight | B♭ Major | 2 | 6B | 107 BPM | ||
| Bitter End of Whiskey | Smoky Avenue | A Minor | 1 | 8A | 80 BPM | ||
| Vinyl Groove | Helios Jazz Club | G Major | 2 | 9B | 127 BPM | ||
| Waiting Heart | The Limp Twins, New York Bar Quartett, Alex Decante | G Major | 1 | 9B | 122 BPM | ||
| Chicago After The Last Call | Jazz & Co. | G Major | 2 | 9B | 127 BPM | ||
| A Porter's Love Song To A Cham | James P. Johnson | F Minor | 1 | 4A | 101 BPM |