John Mayall's ' "Room To Move" was released on its scheduled release date, January 1, 1969. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "The Turning Point". In this album, this song's track order is #7. Based on our statistics, Room To Move's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Room To Move by John Mayall having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Moving On | Taste | A Major | 3 | 11B | 100 BPM | ||
| I Need Your Lovin' | The Rides | D Major | 10 | 10B | 165 BPM | ||
| Pinky's Blues | Sue Foley | G Major | 6 | 9B | 192 BPM | ||
| Country Girl | Ronnie Earl, Pinetop Perkins, Calvin "fuzz" Jones, Willie "Big Eyes" Smith | C Major | 3 | 8B | 124 BPM | ||
| I'm a King Bee | Slim Harpo | F Major | 3 | 7B | 112 BPM | ||
| Shame, Shame, Shame | Jimmy Reed | D Major | 5 | 10B | 162 BPM | ||
| The Laws Must Change | John Mayall | G Minor | 3 | 6A | 179 BPM | ||
| Buried Alive in the Blues | Paul Butterfield's Better Days | A Major | 5 | 11B | 205 BPM | ||
| You Done Tore Your Playhouse Down Again | King Biscuit Boy | C Major | 5 | 8B | 168 BPM | ||
| Don't Be Afraid Of The Dark | The Robert Cray Band | A♭ Major | 5 | 4B | 113 BPM | ||
| Junior's Wailing [Single Version] - 2012 Remastered | Steamhammer | D Minor | 7 | 7A | 132 BPM | ||
| Never Coming Back | Lucky Peterson | G Major | 6 | 9B | 93 BPM | ||
| Mystery Train | The Paul Butterfield Blues Band | A Major | 9 | 11B | 126 BPM | ||
| Long Grey Mare | Rocky Athas, John Mayall | A Major | 9 | 11B | 116 BPM | ||
| Railway And Gun | Taste | A Major | 4 | 11B | 113 BPM | ||
| Rock And Soul Music/Love | Country Joe & The Fish | D Major | 7 | 10B | 122 BPM | ||
| Wait On Time | The Fabulous Thunderbirds | E Major | 6 | 12B | 63 BPM | ||
| 2:19 | John Hammond | G Major | 6 | 9B | 126 BPM | ||
| Mojo Boogie | Johnny Winter | D Major | 7 | 10B | 122 BPM | ||
| Catfish Blues | Ana Popovic, Milton Popovic | G Minor | 6 | 6A | 108 BPM | ||
| Black Magic Woman | Peter Green Splinter Group | A Minor | 6 | 8A | 129 BPM | ||
| Let's Make It | John Lee Hooker, Canned Heat | B Minor | 6 | 10A | 165 BPM | ||
| Love Slipped In | Duke Robillard | E♭ Major | 7 | 5B | 121 BPM | ||
| Boogie Funk | Colin James | C Major | 5 | 8B | 126 BPM | ||
| White Boots | The Vaughan Brothers | B Minor | 9 | 10A | 146 BPM |