Tyler Bates, Joel J. Richard's 'Wick In Rome' had a release date set for February 10, 2017. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Wick In Rome's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tyler Bates, Joel J. Richard's "John Wick: Chapter 2 (Original Motion Picture Soundtrack)" album is number 11 out of 23. The popularity of Wick In Rome is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wick In Rome by Tyler Bates, Joel J. Richard to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| They Know We're Coming | Christophe Beck | F Major | 2 | 7B | 136 BPM | ||
| Dangerous Job | Chris Benstead | D♭ Major | 1 | 3B | 151 BPM | ||
| Swat Team Attack - Remastered 2017 | Brad Fiedel | A♭ Major | 7 | 4B | 179 BPM | ||
| Ballerina Code | Le Castle Vania | B Major | 10 | 1B | 115 BPM | ||
| The Devil & The Daughter - Bonus Track | Daniel Pemberton | G Major | 4 | 9B | 171 BPM | ||
| One Bullet Well Placed | Le Castle Vania | E♭ Minor | 10 | 2A | 124 BPM | ||
| Bullet Executions | Chris Benstead | D♭ Major | 3 | 3B | 132 BPM | ||
| Run! | Benjamin Wallfisch | B♭ Minor | 5 | 3A | 83 BPM | ||
| Desolator | Ghostwriter | F Minor | 4 | 4A | 75 BPM | ||
| We Are All Dangerous | Walter Mair | F♯ Major | 2 | 2B | 83 BPM | ||
| Sparta | Junkie XL | B Minor | 8 | 10A | 100 BPM | ||
| Spiders & Raptors | Primal, Tyler Bates, Joanne Higginbottom | F Major | 4 | 7B | 122 BPM | ||
| Permission To Come Aboard | Rupert Gregson-Williams | D♭ Major | 5 | 3B | 146 BPM | ||
| Old Bones | Jed Palmer | E Minor | 3 | 9A | 104 BPM | ||
| Wrath of Man | Chris Benstead | D♭ Major | 3 | 3B | 137 BPM | ||
| Tiger Battle | Steven Price | G Major | 9 | 9B | 140 BPM | ||
| Order To Throw | Joel J. Richard, Tyler Bates | G Major | 9 | 9B | 131 BPM | ||
| Package Is Secure | Mike Zarin, Tony Hajjar | F♯ Major | 8 | 2B | 163 BPM | ||
| Tanks | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM | ||
| RETRIEVING THE CASE | Ludwig Göransson | A♭ Major | 6 | 4B | 100 BPM | ||
| Ice Rage Eve | Joel J. Richard, Tyler Bates | F♯ Minor | 9 | 11A | 161 BPM | ||
| Spiderbot - Instrumental | Head Splitter | A Major | 8 | 11B | 128 BPM | ||
| I Thought They Came to Rescue Us | Jon Ekstrand | D♭ Major | 4 | 3B | 142 BPM | ||
| Convoy | Jóhann Jóhannsson | B Minor | 1 | 10A | 90 BPM | ||
| Automatic | John Murphy | D Minor | 5 | 7A | 138 BPM |